);

The European Pepinieres of Creation and Transcultures, partners of University Paris 8, are joining forces with this symposium to select and support international digital and intermedia artistic projects related to the theme which will be presented in parallel with the interventions/conferences during the symposium on the university site of the Ionian University.

2d 3ai international symposium

The 1st “3AI” was held in La Louvière in Belgium on 27-28 April 2023 and was organised by Transculutures (Centre of Digital and Sound Arts, Belgium) and CiTU-Paragraphe (University Paris 8, France).

The second 3AI follows the same line as the 1st symposium. It observes that an increasing number of artworks are now inspired by or produced with advanced technologies mainly influenced by generative AI, deeply infused at the very heart of the artworks. Such development interrogates the notion of Art, including the artist and the definition of artistic approach. It also questions how artworks are discovered, exchanged, collected, and preserved. The advent of increasingly advanced digital technologies provokes profound philosophical and ethical inquiries. These ongoing transformations across artistic, cultural, economic, political, and professional realms seem to be long-lasting, with implications that have started to resonate within society.

Similar to human curiosity, the evolution of emergent technologies never stops, making us to rethink new forms of Art based on:

  • bio art: this field involves using biotechnology and living organisms, such as cells, bacteria, or plants, in artistic practice. Often exploring the ethical, social, and aesthetic implications of biotechnology.
  • Data visualisation : ecological concerns: in which art forms often use sustainable materials and technology to raise awareness about environmental issues.
  • Generative art/Generative writing: methods and protocols in collaboration with artificial intelligence to develop collective intelligence by stimulating common writing.
  • Quantum arts : robotics art, either in the creation process (robots creating art) or as a substantial part of the artwork (interactive robotic installations).

The goal of the second 3AI Symposium is twofold. First, to contribute to the discussion of various interrogations about “What makes Art today?” Second, to reflect on the new context and environment of artistic production.

Artists, artistic instruments (intelligent, extended, mixed, augmented & virtual ones), designers, producers, critics, collectors, spectators, researchers, and policymakers are all invited to be part of the presentations (conference, exhibition, podcasts, video, installation, …) and discussions (round tables, social networks).

 

Programme

Sunday, May 26, 2024
  • 09:00 – 09:30 Opening of the conference (Salle 1) – Session chair Khaldoun Zreik
  • 09:30 – 11:30 Session 1 (Salle 1) – Michail Panagopoulos
  • 10:50 – 11:15 Roundtable session 1 (Salle 1)

11:15 – 11:30 Coffee break (Salle 1)

  • 11:30 – 13:15 Session 2 (Salle 1) – Elen Riot
  • 12:50 – 13:15 Roundtable session 2 (Salle 1)

13:15 – 14:30 Lunch (Salle 1)

  • 14:30 – 16:30 Session 3 (Salle 1) – Modestos Stavrakis
  • 15:50 – 16:15 Roundtable session 3 (Salle 1)

16:15 – 16:30 Coffee break (Salle 1)

  • 16:30 – 18:00 Session Art Work 1 (Salle 1) – Philippe Franck
Lundi 27 mai 2024
  • 10:00 – 12:00 Session 4 (Salle 1) – Everardo Reyes
  • 11:30 – 12:00 Roundtable session 4 (Salle 1)

12:00 – 14:00 Lunch (Salle 1)

  • 14:00 – 16:00 Session 5 (Salle 1) – Marc Veyrat
  • 14:00 – 14:15 › The Creative Synthesis: AI’s Contribution to Narrative 3D Animation – Hyunsun Park, Université Paris 8 Vincennes Saint Denis – Arts et Technologies de L’image
  • 14:15 – 14:30 › HumanNon Human Trials on Transmedia Character Design using Motion Capture – Panagiotis Kyriakoulakos, University of the Aegean – Anthoula Kolokotroni, University of the Aegean – Georgios Nikopoulos, Ionian University
  • 14:30 – 15:00 › Meta spaces and multilistening of digital electro audio creations – Philippe Franck, Laboratoire Paragraphe
  • 15:00 – 15:15 › Prompt matters: artistic and design explorations – Everardo Reyes, Université Paris 8
  • 15:15 – 15:30 › Pixel Prodigy: Exploring the Role of AI Tools in the Art of Game Design and Development – Anastasios Theodoropoulos, University of the Peloponnese, Department of Performing and Digital Arts – Panagiotis Papadopoulos, HCIVR Lab, – Christos Vrellis
  • 15:30 – 16:00 Roundtable session 5 (Salle 1)

16:00 – 16:30 Break

  • 16:30 – 18:00 Session Art Work 2 (Salle 1)
  • 16:30 – 16:45 › melodia atomizacji – asemic dissolution ritual – Arthur Kuhn, Laboratoire Paragraphe
  • 16:45 – 17:00 › Monolove The Centaur Experience. An artistic codesign performance to put Human Intelligence in AI proposals – Giorgos Nikopoulos, Giorgos Nikopoulos – Panagiotis Kyriakoulakos, Panagiotis Kyriakoulakos
  • 17:00 – 17:15 › The Entropist – Sabina Suru, Marginal Cultural Association
  • 17:15 – 17:30 › Uncanny breedings – Vanessa Ferle, Freelance ArtistScientist
  • 17:30 – 17:45 › Your Ashes Are Alive (XR) – Vanessa Ferle, Freelance ArtistScientist
  • 17:45 – 18:00 › THE POEM – Vadim Epstein, artist
Steering committee
  • Mehdi Ami, LIASD, Université Paris 8, France
  • Maurice Benayoun, artist plasticien, MOBEN, France
  • Samuel Bianchini, ENSAD, France
  • Philippe Bootz, Paragraphe Lab., Université Paris 8, France
  • Serge Bouchardon, University of Technology of Compiegne, Sorbonne University, France
  • Renée Bourassa, University of Laval, Canada
  • Agnès Callu, EHESS, Paris, France
  • Chu-Yin Chen, INREV, Université Paris 8, France
  • Thierry Dufrene, INHA, Université Paris 10, France
  • Philippe Franck, Transcultures, Belgium, Pépinières Européennes de Création, France
  • Georges Gagneré, INREV, Université Paris 8, France
  • Andreas Giannakoulopoulos, Ionian University, Greece
  • Panayiotis Kyriakoulakos, University of the Aegean, Greece
  • Ilan Manouach, University of Liege, Belgium & Paragraphe Lab., Université Paris 8, France
  • Sylvie Leleu-Merviel, INSA Hauts-de-France, France
  • Marcel O’Gorman, University of Waterloo, Canada
  • Michail Panagopoulos, Ionian University, Greece
  • Cédric Plessiet, INREV, Université Paris 8, France
  • Everardo Reyes, Paragraphe Lab., Université Paris 8, France
  • Laura Shackelford, College of Liberal Arts, Rochester Institute of Technology, USA
  • Modestos Stavrakis, University of the Aegean, Greece
  • Samuel Szoniecky, Paragraphe Lab., Université Paris 8 | CY Cergy-Paris Université, France
  • Sylvie Tissot, Artist, France
  • Prodromos Tsiavos, Onassis Foundation, Greece
  • Antonella Tufano, Universités, Paris 1 – Panthéon Sorbonne, France
  • Marc Veyrat, Paragraphe Lab., Université Paris 8 | CY Cergy-Paris Université, France
  • Khaldoun Zreik, Paragraphe Lab., Université Paris 8 | CY Cergy-Paris Université, France (SC chairman)

Infos

Production