{"id":30259,"date":"2024-09-30T17:23:20","date_gmt":"2024-09-30T15:23:20","guid":{"rendered":"http:\/\/pepinieres.eu\/31-10-02-11-2024-computer-art-congres-8-computer-art-and-digital-design-in-the-age-of-generative-ai-la-plata-ar\/"},"modified":"2024-10-30T17:39:31","modified_gmt":"2024-10-30T16:39:31","slug":"31-10-02-11-2024-computer-art-congres-8-computer-art-and-digital-design-in-the-age-of-generative-ai-la-plata-ar","status":"publish","type":"post","link":"http:\/\/pepinieres.eu\/en\/31-10-02-11-2024-computer-art-congres-8-computer-art-and-digital-design-in-the-age-of-generative-ai-la-plata-ar\/","title":{"rendered":"31.10 > 02.11.2024 | Computer Art Congres #8 &#8211; Computer Art and Digital Design in the Age of Generative AI | La Plata (Ar)"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text module_class=&#8221;post-txt&#8221; _builder_version=&#8221;4.24.0&#8243; hover_enabled=&#8221;0&#8243; border_style=&#8221;solid&#8221; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<p><a href=\"http:\/\/pepinieres.eu\/wp-content\/uploads\/2024\/10\/Computer_Art-Congress-8-Program-National_University_of_La_Plata-Argentina.pdf\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"img30 alignright wp-image-30241 size-large\" src=\"http:\/\/pepinieres.eu\/wp-content\/uploads\/2024\/10\/Computer_Art-Congress-8-Program_Cover-National_University_of_La_Plata-Argentina-710x1024.jpg\" alt=\"\" width=\"710\" height=\"1024\" \/><\/a>Initiated in Paris in 2002 by Khaldoun Zreik\/laboratory CiTU Paragraphe-University Paris 8, the Computer Art Congress (CAC) is an interdisciplinary academic event that investigates art and science from various perspectives. CAC.8 particularly emphasizes the role of minority and underrepresented communities in shaping the arts at local and regional levels. It examines collaborative practices among a wide range of actors\u2014artists, designers, curators, critics, engineers, and more\u2014to understand the networks supporting creative production.<\/p>\n<p>CAC also focuses on the materiality and methods in art creation, exploring how actors engage with hardware, software, and scientific tools to generate images, experiences, and datasets. This year&#8217;s theme encourages sustainable approaches and poses questions about the future of materials in art preservation. Finally, CAC considers intellectual and academic contributions to understanding contemporary issues, like the influence of AI on thought processes, the cultural shifts due to generative media, and the role of biases in creative work. CAC.8 thus invites participants to reflect on how these trends influence both culture and artistic traditions.<\/p>\n<p>CAC8 also presents artistic works at the University of La Plata during the duration of the conference, including projects by Philippe Franck, Marc Veyrat and Philippe Boisnard supported by Transcultures and the European Pepinieres of Creation.<\/p>\n<p>[\/et_pb_text][et_pb_button button_url=&#8221;http:\/\/pepinieres.eu\/wp-content\/uploads\/2024\/10\/Computer_Art-Congress-8-Program-National_University_of_La_Plata-Argentina.pdf&#8221; button_text=&#8221;Download the program PDF&#8221; module_class=&#8221;buttonFull&#8221; _builder_version=&#8221;4.24.0&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;][\/et_pb_button][et_pb_accordion module_class=&#8221;accordPEC&#8221; _builder_version=&#8221;4.24.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_accordion_item title=&#8221;31.10.2024&#8243; open=&#8221;on&#8221; _builder_version=&#8221;4.24.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<ul>\n<li>09:00 hs. Registration \/ Acreditacio\u0301n. Hall 2nd Underground Level \/ Hall 2do Subsuelo<\/li>\n<li>10:00 hs. Opening \/ Acto de Apertura. Room \/ Sala -203<br \/>11:00 hs. KEYNOTE SPEAKER &#8211; PAU ALSINA &#8211; Universitat Oberta de Catalunya (Espan\u0303a).<\/li>\n<li>12:00 hs. Coffee Break \/ Pausa Cafe\u0301<br \/>12:30 hs Artworks tour \/ Recorrida de Obras. Rooms \/ Salas -201, -202 y -205 13:00 hs. Lunch Break \/ Pausa para almorzar &#8211; Room \/ Sala -203<\/li>\n<li>14:00 hs. SESSION I \/ SESIO\u0301N I. Room \/ Sala -203\n<ul>\n<li>Ignacio Eguiguren. &#8211; Estudio DIZEN (Mendoza, Argentina) &#8211; \u201cAI in Packaging<\/li>\n<li>Design\u201d \/ \u00abLa IA en el disen\u0303o de envases\u00bb (Demo)<\/li>\n<li>Silvio Gadler. &#8211; Universidad Nacional de La Plata (La Plata, Argentina) &#8211; \u201cArtificial<\/li>\n<li>Intelligence and Design Learning\u201d \/ \u201cInteligencia artificial y aprendizaje del disen\u0303o\u201d<\/li>\n<li>Natalia Guadalupe Ferreira Aviles Natasha. &#8211; Independent artist (CABA, Argentina) &#8211; \u201cTechnological Advances Despite Resistance: AI as a Catalyst for Creativity and Development in Human-Non-Human Collaboration\u201d \/ &#8220;Avances tecnolo\u0301gicos a pesar de la resistencia: La IA como catalizador de la creatividad y el desarrollo en la colaboracio\u0301n entre humanos y no humanos\u201d<\/li>\n<li>Claudia Mosqueda Go\u0301mez. &#8211; Universidad Auto\u0301noma Metropolitana (Me\u0301xico DF, Me\u0301xico) &#8211; \u201cSubverting AI from a creative perspective\u201d \/ \u201cSubvirtiendo la IA desde la mirada de la creacio\u0301n\u201d<\/li>\n<li>Sei Jung. &#8211; Northeastern University (Boston, United States) &#8211; \u201cDetouring the Path to Perfection: Generative Images and its Social Implications\u201d \/ &#8220;Desviando el camino hacia la perfeccio\u0301n: Las ima\u0301genes generativas y sus implicaciones sociales&#8221;<\/li>\n<li>Q &amp; A \/ Ronda de preguntas y Debate<\/li>\n<\/ul>\n<\/li>\n<li>16.30 hs. Coffee Break \/ Pausa Cafe\u0301<\/li>\n<li>17:00 hs. KEYNOTE SPEAKER &#8211; MARTIN GROISMAN (Universidad de Buenos Aires, Universidad Nacional de las Artes) \u201cTalking to machines. Synthetic thinking and the poetics of the artificial\u201d \/ \u201cHablando con ma\u0301quinas. El pensamiento sinte\u0301tico y la poe\u0301tica de lo artificial\u201d. Room \/ Sala -203<\/li>\n<li>18:00 hs. SESSION II \/ SESIO\u0301N II. Room \/ Sala -203\n<ul>\n<li>Federico Del Giorgio Solfa &amp; Je\u0301ssica Roude. &#8211; Universidad Nacional de La Plata (La Plata, Argentina) &#8211; \u201cInteractive digital design: synergy between Artificial Intelligence, Art, Design and Architecture\u201d \/ &#8220;Disen\u0303o digital interactivo: sinergia entre Inteligencia Artificial, Arte, Disen\u0303o y Arquitectura&#8221;<\/li>\n<li>Marc Pereyra, Renata Di Leo &amp; Tobi\u0301as Di\u0301az. &#8211; UBA-IAE, UNA-UNTREF, UNA (CABA, Argentina) &#8211; \u201cNotes for a cybernetic curatorship. Curatorial dialogues with artificial intelligences&#8221; \/ \u201cApuntes para una curaduri\u0301a ciberne\u0301tica. Dia\u0301logos curatoriales con las inteligencias artificiales\u201d<\/li>\n<li>Carola Dreidemie. &#8211; Universidad Nacional de Rio Negro (Ri\u0301o Negro, Argentina) &#8211; \u201cAnticipation and Information Feedback: Mimicry and latency between Living Systems\u201d \/ &#8220;Anticipacio\u0301n y retroalimentacio\u0301n de la informacio\u0301n: Mimetismo y latencia entre sistemas vivos&#8221;<\/li>\n<li>Florent Di Bartolo. &#8211; Universite\u0301 Gustave Eiffel (Pari\u0301s, France) &#8211; \u201cThe Distributed Aesthetics of Blockchains\u201d \/ \u201cLa este\u0301tica distribuida de Blockchains\u201d<\/li>\n<li>Q &amp; A \/ Ronda de preguntas y Debate<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>[\/et_pb_accordion_item][et_pb_accordion_item title=&#8221;01.11.2024&#8243; _builder_version=&#8221;4.24.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; open=&#8221;off&#8221;]<\/p>\n<ul>\n<li>09:00 hs. Registration \/ Acreditacio\u0301n. Hall 2nd Underground Level \/ Hall 2do Subsuelo<\/li>\n<li>10:00 hs. KEYNOTE SPEAKER &#8211; PHILIPPE BOISNARD &#8211; Universite\u0301 Paris 8 Vincennes-Saint Denis (Pari\u0301s, France) \u201cEmpowerment of Generative AI and Human Transpassibility\u201d \/ \u201cPotenciacio\u0301n de la IA Generativa y Transpasabilidad Humana\u201d &#8211; Room \/ Sala -203<\/li>\n<li>11:00 hs. Coffee Break \/ Pausa Cafe\u0301<\/li>\n<li>11:30 hs. Artworks Tour and Artists Talk \/ Recorrido de Obras y Charla con Artistas<\/li>\n<li>12:30 hs. PARTICIPATIVE EXPERIENCE \/ EXPERIENCIA PARTICIPATIVA &#8211; Joaqui\u0301n Fargas &#8211; Independent artist &#8211; (CABA, Argentina) &#8211; Have you ever meditated with robots? \/ \u00bfAlguna vez meditaste con robots? \/ in \u201cSpeculative Futures\u201d. Room \/ Sala -201<\/li>\n<li>13:00 hs. Lunch Break \/ Pausa para almorzar<\/li>\n<li>14:00 hs. SESSION III \/ SESIO\u0301N III. Room \/ Sala -203\n<ul>\n<li>Esteban Calcagno &amp; Diego Romero Mascaro\u0301. &#8211; Universidad Nacional de Quilmes (CABA, Argentina) &#8211; \u201cThe Role of Experience in the Use of AI as a Tool for Artistic Production: The case of Suno and Flux\u201d \/ &#8220;El papel de la experiencia en el uso de la IA como herramienta de produccio\u0301n arti\u0301stica: El caso de Suno y Flux\u00bb<\/li>\n<li>Nicola\u0301s Flores. &#8211; Universidad Nacional de La Plata (La Plata, Argentina) &#8211; \u201cIdent.ia\u201d \/ \u201cIdent.ia\u201d<\/li>\n<li>Joaqui\u0301n Fargas. &#8211; Independent artist (CABA, Argentina) &#8211; \u201cEchoes of tomorrow: technologies and dystopias\u201d \/ &#8220;Ecos del man\u0303ana: tecnologi\u0301as y distopi\u0301as&#8221;<\/li>\n<li>Juan Carlos Guarneros. &#8211; Independent artist (Mexico DF, Mexico) &#8211; \u201cFractals and Artificial Intelligence\u201d \/ \u201cFractales e Inteligencia Artificial\u201d<\/li>\n<li>Paul Magee. &#8211; Uniwersytet Artystyczny im. Magdaleny Abakanowicz w Poznaniu (Poznan, Poland) \u201cArtist talk on \u201cHysteria Redux\u201d \/<\/li>\n<li>Q &amp; A \/ Ronda de preguntas y Debate<\/li>\n<\/ul>\n<\/li>\n<li>16.30 hs Coffee Break \/ Pausa Cafe\u0301<\/li>\n<li>17:00 hs. KEYNOTE SPEAKER &#8211; JUAN MARTI\u0301N PRADA &#8211; Universidad de Ca\u0301diz (Espan\u0303a) \u201cMa\u0301quinas del futuro para imaginar el pasado. La tematizacio\u0301n de la memoria y de la temporalidad en el \u201cIA art\u201d. \/\/ Machines of the future to imagine the past. The thematization of memory and temporality in \u201cAI art\u201d. Room \/ Sala -203<\/li>\n<li>18:00 hs SESSION IV \/ SESIO\u0301N IV. Room \/ Sala -203\n<ul>\n<li>David Scha\u0308fer. &#8211; Universidad Provincial de Co\u0301rdoba, Universidad Nacional de Co\u0301rdoba (Co\u0301rdoba, Argentina) &#8211; \u201cMemories in the Light of Missing Footprints: AI and Photography\u201d \/ \u201cMemorias a la Luz de las Huellas Desaparecidas: IA y Fotografi\u0301a\u201c<\/li>\n<li>Marc Veyrat &amp; Philippe Franck. &#8211; Universite\u0301 Paris Saclay, Universite\u0301 Paris 8 Vincennes-Saint Denis (Pari\u0301s, France) &#8211; VOX-\u00ae e.POETICS &#8211; AI in Live &amp; Performance \/ VOX-\u00ae e.POETICS &#8211; IA in Live &amp; Performance \/<\/li>\n<li>Diego Antonio Marin Bucio. &#8211; University of Oslo (Oslo, Norway) &#8211; \u201cRedefining Dance: Human perception and the emergence of AI-Generated Movement\u201d \/ \u201cRedefinir la danza: La percepcio\u0301n humana y la aparicio\u0301n del movimiento generado por Inteligencia Artificial\u201d<\/li>\n<li>Alejandra Ceriani &amp; Lisandro Aguiar. &#8211; Universidad Nacional de La Plata (La Plata, Argentina) &#8211; \u201cBiometric Artificial Intelligence: a somatic design for the epistemology of the body\u201d \/ \u201cInteligencia Artificial biome\u0301trica: un disen\u0303o soma\u0301tico para la epistemologi\u0301a del cuerpo\u201d<\/li>\n<li>Q &amp; A \/ Ronda de preguntas y Debate<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>[\/et_pb_accordion_item][et_pb_accordion_item title=&#8221;02.11.2024&#8243; _builder_version=&#8221;4.24.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; open=&#8221;off&#8221;]<\/p>\n<ul>\n<li>09:00 hs. Registration \/ Acreditacio\u0301n. Hall 2do Subsuelo<\/li>\n<li>10:00 hs. KEYNOTE SPEAKER MAURICE BENAYOUN &#8211; Nanjing University (Nanjing, China) &#8220;Magic mirrors don\u2019t always come with good news. The same goes for AI!&#8221; \/ &#8220;Los espejos ma\u0301gicos no siempre vienen acompan\u0303ados de buenas noticias. Lo mismo ocurre con la IA\u201d. Room \/ Sala -203<\/li>\n<li>11:00 hs. Coffee Break \/ Pausa Cafe\u0301<\/li>\n<li>11:30 hs. WORKSHOP &#8211; EVERARDO REYES &amp; KHALDOUN ZREIK &#8211; Universite\u0301 Paris 8 Vincennes-Saint Denis &#8211; \u201cArtificial Intelligence, creativity, prompt design and design explorations\u201d \/ \u201cInteligencia artificial, creatividad, disen\u0303o ra\u0301pido y exploraciones de disen\u0303o\u201d<\/li>\n<li>13:00 hs. Lunch Break \/ Pausa para almorzar<\/li>\n<li>14:00 hs. MAR CANET &#8211; Academy of Media Arts Cologne (Germany) \u201cArtistic Strategies to Guide Neural Networks\u201d \/ \u201cEstrategias arti\u0301sticas para guiar las redes neuronales\u201d. Room \/ Sala -203<\/li>\n<li>15:00 hs. Closing Ceremony &#8211; Acto de Cierre. Room \/ Sala -203<\/li>\n<\/ul>\n<p>[\/et_pb_accordion_item][\/et_pb_accordion][et_pb_text admin_label=&#8221;Texte Info Prod&#8221; module_class=&#8221;post-txt post-txt-info&#8221; _builder_version=&#8221;4.24.0&#8243; hover_enabled=&#8221;0&#8243; border_style=&#8221;solid&#8221; saved_tabs=&#8221;all&#8221; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<p><strong>Infos<\/strong><\/p>\n<ul>\n<li>31.10 &gt; 02.11.2024<\/li>\n<li>National University of La Plata<br \/>Convention Center Sergio Karakachoff Building<\/li>\n<li>48th Street between 6 and 7 La Plata &#8211; Argentina<\/li>\n<li><a href=\"https:\/\/cac8.sciencesconf.org\" target=\"_blank\" rel=\"noopener\">cac8.sciencesconf.org<\/a><\/li>\n<\/ul>\n<p><strong>Production<\/strong><\/p>\n<ul>\n<li>Laboratoire Paragraphe &#8211; Universit\u00e9 Par\u00eds 8 Vincennes-Saint Denis<\/li>\n<li>Facultad de Artes &#8211; Universidad Nacional de La Plata<\/li>\n<\/ul>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Initiated in Paris in 2002 by Khaldoun Zreik\/laboratory CiTU Paragraphe-University Paris 8, the Computer Art Congress (CAC) is an interdisciplinary academic event that investigates art and science from various perspectives. CAC.8 particularly emphasizes the role of minority and underrepresented communities in shaping the arts at local and regional levels. It examines collaborative practices among a [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":30246,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[31,300,97,250,102,139,107,98,135,211,302,2,235,226,99,100],"tags":[],"class_list":["post-30259","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-all-news-en","category-2024-en","category-agenda-en","category-ar-vr-en","category-lectures-en","category-distribution-en","category-international-en","category-media-arts-en","category-meetings-en","category-multidisciplinary-en","category-networks-en","category-news-en","category-pedagody","category-science-en","category-sound-arts-en","category-video-arts-en"],"_links":{"self":[{"href":"http:\/\/pepinieres.eu\/en\/wp-json\/wp\/v2\/posts\/30259","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/pepinieres.eu\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/pepinieres.eu\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/pepinieres.eu\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/pepinieres.eu\/en\/wp-json\/wp\/v2\/comments?post=30259"}],"version-history":[{"count":2,"href":"http:\/\/pepinieres.eu\/en\/wp-json\/wp\/v2\/posts\/30259\/revisions"}],"predecessor-version":[{"id":30261,"href":"http:\/\/pepinieres.eu\/en\/wp-json\/wp\/v2\/posts\/30259\/revisions\/30261"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/pepinieres.eu\/en\/wp-json\/wp\/v2\/media\/30246"}],"wp:attachment":[{"href":"http:\/\/pepinieres.eu\/en\/wp-json\/wp\/v2\/media?parent=30259"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/pepinieres.eu\/en\/wp-json\/wp\/v2\/categories?post=30259"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/pepinieres.eu\/en\/wp-json\/wp\/v2\/tags?post=30259"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}