{"id":29831,"date":"2024-08-17T15:22:19","date_gmt":"2024-08-17T13:22:19","guid":{"rendered":"http:\/\/pepinieres.eu\/colloque-ci-dit-de-quelles-voix-sommes-nous-fait-es-universite-de-wroclaw\/"},"modified":"2024-09-06T15:28:55","modified_gmt":"2024-09-06T13:28:55","slug":"ci-dit-colloquium-what-voices-are-we-made-of-university-of-wroclaw","status":"publish","type":"post","link":"http:\/\/pepinieres.eu\/en\/ci-dit-colloquium-what-voices-are-we-made-of-university-of-wroclaw\/","title":{"rendered":"30.09 > 02.10.2024 | Ci-Dit Colloquium – What voices are we made of?… | University of Wroclaw(Pl)"},"content":{"rendered":"

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Why put orality and reported speech forms at the center of our concerns? Following the “Ci-dit” conferences, which focused particularly on digital genres (more in their scriptural dimension) and on graphic material supports, it seemed important to re-examine the imaginations and forms of contemporary oralities in relation to the circulation and impact of discourses.<\/p>\n

Words, audio, voice, expressiveness, accent, tonality, music, intonation, eloquence, sociolect, idiolect, coarseness, verve, and patter: how do all these forms “relate,” and in what contexts? How do they contribute to the visual and auditory dimensions of reported speech?<\/p>\n

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Talk\/performance VoX\u00ae e-Poetics@Wroclaw – Philippe Franck + Marc Veyrat (Fr\/Be)<\/strong><\/h6>\n

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From poetic fragments, electro organic soundscapes and anonymous words recorded in situ in the host city\/country prior to the international conference and voluntarily integrated into the multimedia device, this hybrid AV performance\/conference will try to discover and develop in several theoretical reflections around and from this research \u2013 creation device: what are the issues and potentialities around the evolution of theoretical-poetic-sound discourses using digital technologies? What are the particularities of these hybrid writings? What interactions do they have with virtual and augmented reality environments. Which structures these participatory and immersive poetic sensitive maps constantly produce in our necessary hybridizations with the Other and the machine? How the respective constructions of these identities augmented by these immersive encounters with a territory and a specific language are structured and questioned. How the way of hearing, receiving and translating bodily, intentionally or not, consciously or not, sounds, voices, songs, the musical dimensions of words open up and irrigate new fields of research…<\/p>\n

By opting for an intermedia hybridity like the practices and discourses it calls upon, the presentation will thus be a game, a new way of meeting an audience based on cards associated with the multiform XR work \u2018i-REAL\u2019 (initiated by Marc Veyrat within the Soci\u00e9t\u00e9 i Mat\u00e9riel, of which Philippe Franck creates the sound and poetic component) poetic-prospective which will be heard and seen live.<\/p>\n

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Conception: Marc Veyart (images), Philippe Franck (sounds)\/Soci\u00e9t\u00e9 i Mat\u00e9riel – Laboratory CiTu \u2013 Paragraphe \/ University Paris 8.<\/p>\n<\/blockquote>\n

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Lundi, le 30 septembre<\/strong><\/p>\n