{"id":28900,"date":"2024-04-25T12:26:51","date_gmt":"2024-04-25T10:26:51","guid":{"rendered":"http:\/\/pepinieres.eu\/3ai-symposium-l-art-a-lere-de-lintelligence-artificielle-2-ionian-university\/"},"modified":"2024-05-31T13:07:40","modified_gmt":"2024-05-31T11:07:40","slug":"3ai-symposium-art-in-the-age-of-artificial-intelligence-2-ionian-university","status":"publish","type":"post","link":"http:\/\/pepinieres.eu\/en\/3ai-symposium-art-in-the-age-of-artificial-intelligence-2-ionian-university\/","title":{"rendered":"26 > 27.05.2024 | 3AI Symposium &#8211; Art in the Age of Artificial Intelligence #2 | Ionian University (Corfu &#8211; Gr)"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text module_class=&#8221;post-txt&#8221; _builder_version=&#8221;4.24.0&#8243; border_style=&#8221;solid&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>The European Pepinieres of Creation and Transcultures, partners of University Paris 8, are joining forces with this symposium to select and support international digital and intermedia artistic projects related to the theme which will be presented in parallel with the interventions\/conferences during the symposium on the university site of the Ionian University.<\/p>\n<p>The <a href=\"http:\/\/pepinieres.eu\/en\/art-in-the-age-of-artificial-intelligence-xr-bury-centrissime\/\" target=\"_blank\" rel=\"noopener\">1st &#8220;3AI&#8221; was held in La Louvi\u00e8re in Belgium on 27-28 April 2023 and was organised by Transculutures<\/a> (Centre of Digital and Sound Arts, Belgium) and CiTU-Paragraphe (University Paris 8, France).<\/p>\n<p>[\/et_pb_text][et_pb_video src=&#8221;https:\/\/www.youtube.com\/watch?v=CE1biunQZQY&#8221; _builder_version=&#8221;4.24.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_video][et_pb_text module_class=&#8221;post-txt&#8221; _builder_version=&#8221;4.24.0&#8243; border_style=&#8221;solid&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h6><strong>2d 3ai international symposium<\/strong><\/h6>\n<p>The second 3AI follows the same line as the 1st symposium. It observes that an increasing number of artworks are now inspired by or produced with advanced technologies mainly influenced by generative AI, deeply infused at the very heart of the artworks. Such development interrogates the notion of Art, including the artist and the definition of artistic approach. It also questions how artworks are discovered, exchanged, collected, and preserved. The advent of increasingly advanced digital technologies provokes profound philosophical and ethical inquiries. These ongoing transformations across artistic, cultural, economic, political, and professional realms seem to be long-lasting, with implications that have started to resonate within society.<\/p>\n<p>Similar to human curiosity, the evolution of emergent technologies never stops, making us to rethink new forms of Art based on:<\/p>\n<ul>\n<li>bio art: this field involves using biotechnology and living organisms, such as cells, bacteria, or plants, in artistic practice. Often exploring the ethical, social, and aesthetic implications of biotechnology.<\/li>\n<li>Data visualisation : ecological concerns: in which art forms often use sustainable materials and technology to raise awareness about environmental issues.<\/li>\n<li>Generative art\/Generative writing: methods and protocols in collaboration with artificial intelligence to develop collective intelligence by stimulating common writing.<\/li>\n<li>Quantum arts : robotics art, either in the creation process (robots creating art) or as a substantial part of the artwork (interactive robotic installations).<\/li>\n<li>&#8230;<\/li>\n<\/ul>\n<blockquote>\n<p>The goal of the second 3AI Symposium is twofold. First, to contribute to the discussion of various interrogations about &#8220;What makes Art today?&#8221; Second, to reflect on the new context and environment of artistic production.<\/p>\n<\/blockquote>\n<p>Artists, artistic instruments (intelligent, extended, mixed, augmented &amp; virtual ones), designers, producers, critics, collectors, spectators, researchers, and policymakers are all invited to be part of the presentations (conference, exhibition, podcasts, video, installation, &#8230;) and discussions (round tables, social networks).<\/p>\n<p>&nbsp;<\/p>\n<p>[\/et_pb_text][et_pb_image src=&#8221;http:\/\/pepinieres.eu\/wp-content\/uploads\/2024\/04\/Art-in-the-age-of-articifical-intellignence-Corfou-2024-Paris8-Citu_Paragraphe-Banner_Yellow-Pepinieres_Europeenes_de_Creation-Transcultures-2024.jpg&#8221; title_text=&#8221;Art-in-the-age-of-articifical-intellignence-Corfou-2024-Paris8-Citu_Paragraphe-Banner_Yellow-Pepinieres_Europeenes_de_Creation-Transcultures-2024&#8243; _builder_version=&#8221;4.24.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text module_class=&#8221;post-txt titleBloc&#8221; _builder_version=&#8221;4.24.0&#8243; border_style=&#8221;solid&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Talks Program<\/p>\n<p>[\/et_pb_text][et_pb_accordion _builder_version=&#8221;4.24.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_accordion_item title=&#8221;Sunday, May 26, 2024 &#8221; open=&#8221;on&#8221; _builder_version=&#8221;4.24.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<ul>\n<li>09:00 \u2013 09:30 Opening of the conference (Salle 1) \u2013 Session chair Khaldoun Zreik<\/li>\n<li>09:30 \u2013 11:30 Session 1 (Salle 1) \u2013 Michail Panagopoulos<\/li>\n<li>10:50 \u2013 11:15 Roundtable session 1 (Salle 1)<\/li>\n<\/ul>\n<p>11:15 \u2013 11:30 Coffee break (Salle 1)<\/p>\n<ul>\n<li>11:30 \u2013 13:15 Session 2 (Salle 1) \u2013 Elen Riot<\/li>\n<li>12:50 \u2013 13:15 Roundtable session 2 (Salle 1)<\/li>\n<\/ul>\n<p>13:15 \u2013 14:30 Lunch (Salle 1)<\/p>\n<ul>\n<li>14:30 \u2013 16:30 Session 3 (Salle 1) \u2013 Modestos Stavrakis<\/li>\n<li>15:50 \u2013 16:15 Roundtable session 3 (Salle 1)<\/li>\n<\/ul>\n<p>16:15 \u2013 16:30 Coffee break (Salle 1)<\/p>\n<ul>\n<li>16:30 \u2013 18:00 Session Art Work 1 (Salle 1) \u2013 Philippe Franck<\/li>\n<\/ul>\n<p>[\/et_pb_accordion_item][et_pb_accordion_item title=&#8221;Lundi 27 mai 2024&#8243; _builder_version=&#8221;4.24.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; open=&#8221;off&#8221;]<\/p>\n<ul>\n<li>10:00 \u2013 12:00 Session 4 (Salle 1) \u2013 Everardo Reyes<\/li>\n<li>11:30 \u2013 12:00 Roundtable session 4 (Salle 1)<\/li>\n<\/ul>\n<p>12:00 \u2013 14:00 Lunch (Salle 1)<\/p>\n<ul>\n<li aria-level=\"1\">14:00 \u2013 16:00 Session 5 (Salle 1) \u2013 Marc Veyrat<\/li>\n<li aria-level=\"1\">14:00 \u2013 14:15 \u203a The Creative Synthesis: AI\u2019s Contribution to Narrative 3D Animation \u2013 Hyunsun Park, Universit\u00e9 Paris 8 Vincennes Saint Denis \u2013 Arts et Technologies de L\u2019image<\/li>\n<li aria-level=\"1\">14:15 \u2013 14:30 \u203a HumanNon Human Trials on Transmedia Character Design using Motion Capture \u2013 Panagiotis Kyriakoulakos, University of the Aegean \u2013 Anthoula Kolokotroni, University of the Aegean \u2013 Georgios Nikopoulos, Ionian University<\/li>\n<li aria-level=\"1\">14:30 \u2013 15:00 \u203a Meta spaces and multilistening of digital electro audio creations \u2013 Philippe Franck, Laboratoire Paragraphe<\/li>\n<li aria-level=\"1\">15:00 \u2013 15:15 \u203a Prompt matters: artistic and design explorations \u2013 Everardo Reyes, Universit\u00e9 Paris 8<\/li>\n<li aria-level=\"1\">15:15 \u2013 15:30 \u203a Pixel Prodigy: Exploring the Role of AI Tools in the Art of Game Design and Development \u2013 Anastasios Theodoropoulos, University of the Peloponnese, Department of Performing and Digital Arts \u2013 Panagiotis Papadopoulos, HCIVR Lab, \u2013 Christos Vrellis<\/li>\n<li aria-level=\"1\">15:30 \u2013 16:00 Roundtable session 5 (Salle 1)<\/li>\n<\/ul>\n<p>16:00 \u2013 16:30 Break<\/p>\n<ul>\n<li aria-level=\"1\">16:30 \u2013 18:00 Session Art Work 2 (Salle 1)<\/li>\n<li aria-level=\"1\">16:30 \u2013 16:45 \u203a melodia atomizacji \u2013 asemic dissolution ritual \u2013 Arthur Kuhn, Laboratoire Paragraphe<\/li>\n<li aria-level=\"1\">16:45 \u2013 17:00 \u203a Monolove The Centaur Experience. An artistic codesign performance to put Human Intelligence in AI proposals \u2013 Giorgos Nikopoulos, Giorgos Nikopoulos \u2013 Panagiotis Kyriakoulakos, Panagiotis Kyriakoulakos<\/li>\n<li aria-level=\"1\">17:00 \u2013 17:15 \u203a The Entropist \u2013 Sabina Suru, Marginal Cultural Association<\/li>\n<li aria-level=\"1\">17:15 \u2013 17:30 \u203a Uncanny breedings \u2013 Vanessa Ferle, Freelance ArtistScientist<\/li>\n<li aria-level=\"1\">17:30 \u2013 17:45 \u203a Your Ashes Are Alive (XR) \u2013 Vanessa Ferle, Freelance ArtistScientist<\/li>\n<li aria-level=\"1\">17:45 \u2013 18:00 \u203a THE POEM \u2013 Vadim Epstein, artist<\/li>\n<\/ul>\n<p>[\/et_pb_accordion_item][et_pb_accordion_item title=&#8221;Steering committee&#8221; _builder_version=&#8221;4.24.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; open=&#8221;off&#8221;]<\/p>\n<ul>\n<li dir=\"ltr\">Mehdi Ami, LIASD, Universit\u00e9 Paris 8, France<\/li>\n<li dir=\"ltr\">Maurice Benayoun, artist plasticien, MOBEN, France<\/li>\n<li dir=\"ltr\">Samuel Bianchini, ENSAD, France<\/li>\n<li dir=\"ltr\">Philippe Bootz,\u00a0Paragraphe Lab., Universit\u00e9 Paris 8, France<\/li>\n<li dir=\"ltr\">Serge Bouchardon,\u00a0University of Technology of Compiegne, Sorbonne University, France<\/li>\n<li dir=\"ltr\">Ren\u00e9e Bourassa, University of Laval, Canada<\/li>\n<li dir=\"ltr\">Agn\u00e8s Callu, EHESS, Paris, France<\/li>\n<li dir=\"ltr\">Chu-Yin Chen,\u00a0INREV, Universit\u00e9 Paris 8, France<\/li>\n<li dir=\"ltr\">Thierry Dufrene, INHA, Universit\u00e9 Paris 10, France<\/li>\n<li dir=\"ltr\">Philippe Franck, Transcultures, Belgium, European Pepinieres of Creation, France<\/li>\n<li dir=\"ltr\">Georges Gagner\u00e9, INREV, Universit\u00e9 Paris 8, France<\/li>\n<li dir=\"ltr\">Andreas Giannakoulopoulos, Ionian University, Greece<\/li>\n<li dir=\"ltr\">Panayiotis Kyriakoulakos, University of the Aegean, Greece<\/li>\n<li dir=\"ltr\">Ilan Manouach, University of Liege, Belgium &amp; Paragraphe Lab., Universit\u00e9 Paris 8, France<\/li>\n<li dir=\"ltr\">Sylvie Leleu-Merviel,\u00a0INSA Hauts-de-France, France<\/li>\n<li dir=\"ltr\">Marcel O&#8217;Gorman, University of Waterloo, Canada<\/li>\n<li dir=\"ltr\">Michail Panagopoulos, Ionian University, Greece<\/li>\n<li dir=\"ltr\">C\u00e9dric Plessiet, INREV, Universit\u00e9 Paris 8, France<\/li>\n<li dir=\"ltr\">Everardo Reyes, Paragraphe Lab., Universit\u00e9 Paris 8, France<\/li>\n<li dir=\"ltr\">Laura Shackelford,\u00a0College of Liberal Arts, Rochester Institute of Technology, USA<\/li>\n<li dir=\"ltr\">Modestos Stavrakis, University of the Aegean, Greece<\/li>\n<li dir=\"ltr\">Samuel Szoniecky, Paragraphe Lab., Universit\u00e9 Paris 8 | CY Cergy-Paris Universit\u00e9, France<\/li>\n<li dir=\"ltr\">Sylvie Tissot, Artist, France<\/li>\n<li dir=\"ltr\">Prodromos Tsiavos, Onassis Foundation, Greece<\/li>\n<li dir=\"ltr\">Antonella Tufano, Universit\u00e9s, Paris 1 &#8211; Panth\u00e9on Sorbonne, France<\/li>\n<li dir=\"ltr\">Marc Veyrat, Paragraphe Lab., Universit\u00e9 Paris 8 | CY Cergy-Paris Universit\u00e9, France<\/li>\n<li dir=\"ltr\">Khaldoun Zreik, Paragraphe Lab., Universit\u00e9 Paris 8 | CY Cergy-Paris Universit\u00e9, France (SC chairman)<\/li>\n<\/ul>\n<p>[\/et_pb_accordion_item][\/et_pb_accordion][et_pb_text module_class=&#8221;post-txt titleBloc&#8221; _builder_version=&#8221;4.24.0&#8243; border_style=&#8221;solid&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Artistic Program<\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;AN DOMHAN &#8211; Ga\u00ebtan Le Coarer&#8221; module_class=&#8221;post-txt artistTextBloc&#8221; _builder_version=&#8221;4.24.0&#8243; border_style=&#8221;solid&#8221; global_module=&#8221;28965&#8243; saved_tabs=&#8221;all&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h6><strong><em>AN DOMHAN<\/em> &#8211; Ga\u00ebtan Le Coarer (Fr)<\/strong><\/h6>\n<p>&lt;<img loading=\"lazy\" decoding=\"async\" class=\"cropHeigth395 aligncenter wp-image-21233 size-full\" src=\"http:\/\/pepinieres.eu\/wp-content\/uploads\/2021\/09\/Gaetan_Le_Coarer-An_Domhan-ARTour-Biennale_Art_Contemporain_et_Patrimoine-Transcultures-2021.jpg\" alt=\"\" width=\"1400\" height=\"788\" srcset=\"http:\/\/pepinieres.eu\/wp-content\/uploads\/2021\/09\/Gaetan_Le_Coarer-An_Domhan-ARTour-Biennale_Art_Contemporain_et_Patrimoine-Transcultures-2021.jpg 1400w, http:\/\/pepinieres.eu\/wp-content\/uploads\/2021\/09\/Gaetan_Le_Coarer-An_Domhan-ARTour-Biennale_Art_Contemporain_et_Patrimoine-Transcultures-2021-1280x720.jpg 1280w, http:\/\/pepinieres.eu\/wp-content\/uploads\/2021\/09\/Gaetan_Le_Coarer-An_Domhan-ARTour-Biennale_Art_Contemporain_et_Patrimoine-Transcultures-2021-980x552.jpg 980w, http:\/\/pepinieres.eu\/wp-content\/uploads\/2021\/09\/Gaetan_Le_Coarer-An_Domhan-ARTour-Biennale_Art_Contemporain_et_Patrimoine-Transcultures-2021-480x270.jpg 480w\" sizes=\"auto, (min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) and (max-width: 980px) 980px, (min-width: 981px) and (max-width: 1280px) 1280px, (min-width: 1281px) 1400px, 100vw\" \/><em>An Domhan<\/em> (which translates to \u201cthe earth\u201d) is an immersive experience designed using a research-creation methodology as part of the thesis of creator\/researcher Ga\u00ebtan Le Coarer, whose subject is: \u201cComics and Mixed Reality, towards new narrative spaces\u201d.<\/p>\n<p>The experience is based on the adaptation of an Irish Celtic legend in mixed reality. Two users, one equipped with a virtual reality headset and the other with a smartphone, each embody one of the legendary characters immersed in another world. They live in two seemingly different environments. Actions performed by one user interfere with those of the other user.<\/p>\n<p>The project is led by the LLSETI laboratory and the Hypermedia Communication department of Savoie Mont-Blanc University.<br \/>With the support of Transcultures and European Creation Nurseries.<\/p>\n<blockquote>\n<p><strong>Ga\u00ebtan Le Coarer (Fr)<\/strong><\/p>\n<p>Contract teacher in the &#8220;Hyperm\u00e9dia and Communication&#8221; department. He is responsible for the License 1 &#8211; Information and Communication program and the department&#8217;s international relations.<\/p>\n<p>He holds a master&#8217;s degree in digital creation &#8211; hypermedia and intelligent spaces, as well as a bachelor&#8217;s degree in applied arts &#8211; design (with a focus on design and digital culture).<\/p>\n<p>His research focuses on the use and methodology of creative research. He develops concepts through drawing and the use of black to explore questions related to narration in terms of architecture and spatialization.<\/p>\n<p><a href=\"http:\/\/gaetanlecoarer.com\" target=\"_blank\" rel=\"noopener\">gaetanlecoarer.com<\/a><\/p>\n<\/blockquote>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;i-Real Short&#8221; module_class=&#8221;post-txt artistTextBloc&#8221; _builder_version=&#8221;4.24.0&#8243; border_style=&#8221;solid&#8221; global_module=&#8221;28967&#8243; saved_tabs=&#8221;all&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h6><strong>i-REAL &#8211; Soci\u00e9t\u00e9 i Mat\u00e9riel (Eu)<br \/><\/strong><\/h6>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"cropHeigth395 aligncenter wp-image-20101 size-full\" src=\"http:\/\/pepinieres.eu\/wp-content\/uploads\/2021\/04\/Marc_Veyrat-i-REAL-Les_Modes_Operatoires_de_la_Derive-Bandeau-Pepinieres_Europeenes_de_Creation-Transcultures-2021.jpg\" alt=\"\" width=\"1400\" height=\"784\" srcset=\"http:\/\/pepinieres.eu\/wp-content\/uploads\/2021\/04\/Marc_Veyrat-i-REAL-Les_Modes_Operatoires_de_la_Derive-Bandeau-Pepinieres_Europeenes_de_Creation-Transcultures-2021.jpg 1400w, http:\/\/pepinieres.eu\/wp-content\/uploads\/2021\/04\/Marc_Veyrat-i-REAL-Les_Modes_Operatoires_de_la_Derive-Bandeau-Pepinieres_Europeenes_de_Creation-Transcultures-2021-1280x717.jpg 1280w, http:\/\/pepinieres.eu\/wp-content\/uploads\/2021\/04\/Marc_Veyrat-i-REAL-Les_Modes_Operatoires_de_la_Derive-Bandeau-Pepinieres_Europeenes_de_Creation-Transcultures-2021-980x549.jpg 980w, http:\/\/pepinieres.eu\/wp-content\/uploads\/2021\/04\/Marc_Veyrat-i-REAL-Les_Modes_Operatoires_de_la_Derive-Bandeau-Pepinieres_Europeenes_de_Creation-Transcultures-2021-480x269.jpg 480w\" sizes=\"auto, (min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) and (max-width: 980px) 980px, (min-width: 981px) and (max-width: 1280px) 1280px, (min-width: 1281px) 1400px, 100vw\" \/><\/p>\n<p>i-REAL is a project of the Company i Material (Marc Veyrat), Pixel Pirate and 89\/92 R&amp;D. It\u2019s a mixed reality project that mixes board game and VR. It is integrated into KITCHEN XR, an academic and artistic research project developed by Carole Brandon (LLSETI Laboratory) which combines the creation of spaces dedicated to mixed realities, design, co-production of content and university training.<\/p>\n<blockquote>\n<p><strong>Marc Veyrat <\/strong>&#8211; Artist, Associate Professor, HDR Lecturer in Art Sciences &#8211; Director of the Hypermedia Communication Department &#8211; Savoie Mont-Blanc University &#8211; CiTu Laboratory Paragraph University of Paris 8 &#8211; Associate Researcher UNESCO \/ ITEN Chair (Innovation, Transmission, Digital Edition)<br \/>Marc Veyrat is interested in the complexity of informational formatting \u2014 in digital, visual and contemporary art \u2014 networking and communications strategies, particularly in Mixed Reality (XR) devices and across networks social or the web.<br \/><a href=\"https:\/\/www.imateriel.org\" target=\"_blank\" rel=\"noopener\">imateriel.org<\/a> &#8211; <a href=\"https:\/\/8espace.com\" target=\"_blank\" rel=\"noopener\">8espace.com<\/a><\/p>\n<p><strong>Jonathan Juste \/\/\/ Pixelpirate<\/strong> &#8211; Independent interactive designer<strong><br \/><\/strong><a href=\"http:\/\/pixelpirate.fr\" target=\"_blank\" rel=\"noopener\">pixelpirate.fr<\/a><\/p>\n<p><strong>Lise Misillier \/\/\/ 89\/92 R&amp;D<\/strong> &#8211; Multimedia Developer &amp; Interface Designer &#8211; Co-Founder &amp; Co-Manager 89\/92<strong><br \/><\/strong><a href=\"http:\/\/8992.fr\" target=\"_blank\" rel=\"noopener\">8992.fr<\/a><\/p>\n<p><strong>Matthieu Quiniou<\/strong> &#8211; Doctor of Law, teacher-researcher at the University of Paris 8 (Laboratoire Paragraphe) &#8211; Member of the UNESCO ITEN Chair (FMSH\/Paris 8) &#8211; Lawyer at the Paris Court of Appeal<br \/>Matthieu Quiniou works mainly on issues related to digital technology (blockchain and AI) and is interested in new forms of expression and monetization of art.<\/p>\n<p><strong>Paradise Now<\/strong> &#8211; Transcultural and sound designer\/producer\/creator, Belgium &#8211; Doctoral student CiTu Laboratory Paragraphe University Paris 8<br \/>Since the 1990s, Philippe Franck has been developing the \u201cParadise Now\u201d project, which favors an actively transversal and collaborative approach. He favors a sensitive and cinematic approach that embraces different influences and fields (electronic, sound art, post-rock, post-pop, improvised music, etc.).<br \/><a href=\"http:\/\/paradisenow.be\" target=\"_blank\" rel=\"noopener\">paradisenow.be<\/a><\/p>\n<\/blockquote>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;Philippe Boisnard &#8211; Out Land&#8221; module_class=&#8221;post-txt artistTextBloc&#8221; _builder_version=&#8221;4.24.0&#8243; border_style=&#8221;solid&#8221; global_module=&#8221;28936&#8243; saved_tabs=&#8221;all&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h6><strong><span class=\"et-fb-editable-element et-fb-editable-element__editing\" contenteditable=\"true\" data-shortcode-id=\"0.0.0.8-1716280564824\">Out Land &#8211; Philippe Boisnard (Fr)<br \/><\/span><\/strong><\/h6>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-28998 aligncenter size-full\" src=\"http:\/\/pepinieres.eu\/wp-content\/uploads\/2024\/04\/Philippe_Boisnard-Out_Land-Banner_Hor-Pepinieres_Europeenes_de_Creation-Transcultures-2024.jpeg\" alt=\"\" width=\"1280\" height=\"591\" srcset=\"http:\/\/pepinieres.eu\/wp-content\/uploads\/2024\/04\/Philippe_Boisnard-Out_Land-Banner_Hor-Pepinieres_Europeenes_de_Creation-Transcultures-2024.jpeg 1280w, http:\/\/pepinieres.eu\/wp-content\/uploads\/2024\/04\/Philippe_Boisnard-Out_Land-Banner_Hor-Pepinieres_Europeenes_de_Creation-Transcultures-2024-980x452.jpeg 980w, http:\/\/pepinieres.eu\/wp-content\/uploads\/2024\/04\/Philippe_Boisnard-Out_Land-Banner_Hor-Pepinieres_Europeenes_de_Creation-Transcultures-2024-480x222.jpeg 480w\" sizes=\"auto, (min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) and (max-width: 980px) 980px, (min-width: 981px) 1280px, 100vw\" \/>Interactive and geolocalized work \u201cin progress\u201d intended to be presented soon in several parts of the world.<\/p>\n<p>From the Renaissance onwards, the revolution of the new aesthetic based on perspective, far from being reduced to the space of the painting alone, it transformed real space, permeating the city and its spaces. The new mathematical spirit goes beyond the framework of representation and develops the new framework of a presence.<\/p>\n<p>With artificial intelligence, we have been living since the Renaissance, undoubtedly one of the greatest aesthetic revolutions. Generative AI offering a new approach to creation and representations. However, AI creations are mostly limited to screens or galleries.<\/p>\n<p>Out Land is a work whose generation by AI then extends beyond the screens and art spaces. The shapes produced by AI in 3D are contaminating public space and cities, without borders, throughout the world. The forms generated are sometimes free, sometimes they are repetitions and a re-elaboration of forms already produced.<\/p>\n<p>As part of the conference \u201cArt at the age of Artificial Intelligence #2\u201d at the Ionian University of Corfu on May 26 and 27, 2024, the three geolocation points (IOS support), around the university, are made up of a regeneration of statues in Corfu Town.<\/p>\n<ul>\n<li>Production: databaz, P\u00e9pini\u00e8res europ\u00e9ennes de Cr\u00e9ation<\/li>\n<li>Creation and codind:: Philippe Boisnard<\/li>\n<li>Music: Philippe Franck &amp; Philippe Boisnard<\/li>\n<\/ul>\n<blockquote>\n<p><strong>Philippe Boisnard (Fr)<\/strong><\/p>\n<p>Multimedia artist and writer, Philippe Boisnard explores the construction of humanity through the materiality of codes and representations linked to political, social, economic, and post-historical dimensions.<\/p>\n<p>All of his work reflects on the evolution of humanity in the age of cybernetics and digital technology. A regular contributor to numerous journals (Inter, Art actuel, Jungle Juice, L\u2019arm\u00e9e noire, Mobile Album International, Celebrity Caf\u00e9), he has published various poetic and philosophical narratives: \u201cPan Cake\u201d (Hermaphrodite), \u201cAtom-Z nous sommes 6 milliards\u201d (publie.net), \u201cFronti\u00e8re du visage, analogique-num\u00e9rique\u201d (L\u2019Harmattan).<\/p>\n<p>His installations and performances have been showcased internationally in over 20 countries: at FIMAV (Canada), at the TOPO agency (Canada), at the Mapping Festival (Switzerland), at the Digital Choc (Japan), etc. In 2016, he notably curated exhibitions for the Acc\u00e8s(s) festivals in Pau.<\/p>\n<p><a href=\"http:\/\/databaz.org\/xtrm-art\/\" target=\"_blank\" rel=\"noopener\">databaz.org\/xtrm-art<\/a><\/p>\n<\/blockquote>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;Giorgos Nikopoulos &#8211; Monolove&#8221; module_class=&#8221;post-txt artistTextBloc&#8221; _builder_version=&#8221;4.24.0&#8243; border_style=&#8221;solid&#8221; global_module=&#8221;28954&#8243; saved_tabs=&#8221;all&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h6><strong><span class=\"et-fb-editable-element et-fb-editable-element__editing\" contenteditable=\"true\" data-shortcode-id=\"0.0.0.8-1716280564824\">Monolove &#8211; Giorgos Nikopoulos (Gr)<br \/><\/span><\/strong><\/h6>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-28942 size-full\" src=\"http:\/\/pepinieres.eu\/wp-content\/uploads\/2024\/04\/Monolove-Giorgos_Nikopoulos-Banner-Pepinieres_Europeenes_de_Creation-Transcultures-2024.jpg\" alt=\"\" width=\"1400\" height=\"797\" srcset=\"http:\/\/pepinieres.eu\/wp-content\/uploads\/2024\/04\/Monolove-Giorgos_Nikopoulos-Banner-Pepinieres_Europeenes_de_Creation-Transcultures-2024.jpg 1400w, http:\/\/pepinieres.eu\/wp-content\/uploads\/2024\/04\/Monolove-Giorgos_Nikopoulos-Banner-Pepinieres_Europeenes_de_Creation-Transcultures-2024-1280x729.jpg 1280w, http:\/\/pepinieres.eu\/wp-content\/uploads\/2024\/04\/Monolove-Giorgos_Nikopoulos-Banner-Pepinieres_Europeenes_de_Creation-Transcultures-2024-980x558.jpg 980w, http:\/\/pepinieres.eu\/wp-content\/uploads\/2024\/04\/Monolove-Giorgos_Nikopoulos-Banner-Pepinieres_Europeenes_de_Creation-Transcultures-2024-480x273.jpg 480w\" sizes=\"auto, (min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) and (max-width: 980px) 980px, (min-width: 981px) and (max-width: 1280px) 1280px, (min-width: 1281px) 1400px, 100vw\" \/><\/p>\n<p>Monolove is a transmedia project on development in multiple artistic levels, in the field of animation, gaming and interactive storytelling. The idea of this project, the story, the film script and the aesthetic concept were inspired and developed by Giorgos Nikopoulos during 2017 &#8211; 2018. The story was first written as a short film script and then it was developed by an expanded team as a game script through which it got funded by the Greek Ministry of Culture and Athletics in 2020 as a project on development in the Digital Culture Funding Program. This stage of the project was driven by the non-profit corporation \u201csix impossible wishes\u201d. In parallel the idea of Monolove was partly developed as an interactive multimedia performance in a form which could be described as a \u201clive animation performance\u201d.<\/p>\n<p>Parts of this project are taking place as case studies in the research program \u201cIMAGINE MOCAP\u201d funded by ELIDEK, in which are participating three Greek Universities: the Aegean, the Ionian and the University of Peloponese.<\/p>\n<p>The main theme of this transmedia on-development project is Love and more specifically the egocentric nature of Love. The project proposes three different sex types: male, female and fluid. These three types are not proposed as an attempt to persuade the audience for the \u201cthird\u201d sex but as a statement of the freedom that an individual can approach through love.<\/p>\n<p>The audience comes in contact with the story and the characters of Monolove as well as with a variety of transformations of the characters. Participants give their own proposals of their non-human transmedia digital characters using AI. Imagination, creativity and freedom are three components necessary for the conduct of the workshop. For this reason, we expect digital characters in various versions, in terms of morphology, material, personality and kinesiology.<\/p>\n<blockquote>\n<p><strong>Giorgos Nikopoulos (Gr)<\/strong><\/p>\n<p>Giorgos Nikopoulos was born in Katerini (Northern Greece). He studied Audio and Visual Arts at the Ionian University where he specialized in animation and performing arts.<\/p>\n<p>He has worked as a theater actor and as assistant director to Dimos Avdeliodis (2010-2013).<\/p>\n<p>In 2014 he founded Baubo Productions and made his first animation short film \u201dButter Bunny and his Grape Must Cookies\u201d. In October 2013 he started doctoral studies at the Department of Audio and Visual Arts at the Ionian University, working on a thesis about the affinities between animation and shadow puppetry.<\/p>\n<p><a href=\"https:\/\/bauboproductions.com\" target=\"_blank\" rel=\"noopener\">bauboproductions.com<\/a><\/p>\n<\/blockquote>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;Breathless &#8211; Mona Hedayati (Ir\/Ca)&#8221; module_class=&#8221;post-txt artistTextBloc&#8221; _builder_version=&#8221;4.24.0&#8243; border_style=&#8221;solid&#8221; saved_tabs=&#8221;all&#8221; global_colors_info=&#8221;{}&#8221; global_module=&#8221;29093&#8243; theme_builder_area=&#8221;post_content&#8221;]<\/p>\n<h6><strong><span class=\"et-fb-editable-element et-fb-editable-element__editing\" contenteditable=\"true\" data-shortcode-id=\"0.0.0.8-1716280564824\">Breathless &#8211; Mona Hedayati (Ir\/Ca)<br \/><\/span><\/strong><\/h6>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-29081 size-full\" src=\"http:\/\/pepinieres.eu\/wp-content\/uploads\/2024\/04\/Mona_Hedayati-Breathless-Banner_Crop-Pepinieres_Europeenes_de_Creation-Transcultures-2024.jpg\" alt=\"\" width=\"1400\" height=\"521\" srcset=\"http:\/\/pepinieres.eu\/wp-content\/uploads\/2024\/04\/Mona_Hedayati-Breathless-Banner_Crop-Pepinieres_Europeenes_de_Creation-Transcultures-2024.jpg 1400w, http:\/\/pepinieres.eu\/wp-content\/uploads\/2024\/04\/Mona_Hedayati-Breathless-Banner_Crop-Pepinieres_Europeenes_de_Creation-Transcultures-2024-1280x476.jpg 1280w, http:\/\/pepinieres.eu\/wp-content\/uploads\/2024\/04\/Mona_Hedayati-Breathless-Banner_Crop-Pepinieres_Europeenes_de_Creation-Transcultures-2024-980x365.jpg 980w, http:\/\/pepinieres.eu\/wp-content\/uploads\/2024\/04\/Mona_Hedayati-Breathless-Banner_Crop-Pepinieres_Europeenes_de_Creation-Transcultures-2024-480x179.jpg 480w\" sizes=\"auto, (min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) and (max-width: 980px) 980px, (min-width: 981px) and (max-width: 1280px) 1280px, (min-width: 1281px) 1400px, 100vw\" \/><\/p>\n<p>\u201cRooted in 2 years of experimentation with wearable devices and the use of sound as a sensory medium to carry affective registers, Breathless is a live performance designed to communicate neuroophysiological states attached to my lived experience as a migrant in exile to audiences.<\/p>\n<p>The project builds on my 6 months commitment of frequently watching videos of the latest wave of widespread protests in Iran, while audio recording my non-voiced gestures (e.g., breathing rhythm, sniffling, gasping) and ambient information (e.g., leaked sound from the videos) as well as capturing multi-sensor readings (e.g., blood volume pulse, skin perspiration and temperature). I then sculpted these libraries into an immersive generative sound piece using machine-learning output from the audio recording library modulated by wearable data to communicate the affective charge of my experience.<\/p>\n<p>In this context, I rely on sound as a performative-atmospheric medium, as well as heavily manipulated video documentation of the protests to create a complex milieu of \u201caffect contagion\u201d where affect is not defined as fixed paradigms of emotions but recognized as a complex socio-cultural phenomenon open to be experienced and interpreted differentially\u201d. (Mona Hedayati)<\/p>\n<blockquote>\n<p><strong>Mona Hedayati (Ir\/Ca)<\/strong><\/p>\n<p>Iranian-Canadian artist-researcher and a joint PhD researcher in interdisciplinary humanities at Concordia University, Canada and the digital arts doctorate program at Antwerp Research Institute for the Arts, Belgium. Her interdisciplinary research-creation draws on sound design, computation arts, and sensory studies.<\/p>\n<p>She has a BA in translation studies, an MFA in digital media and Master of Research in social-political art and design. Hedayati has shared her work and research internationally not only at white cube gallery spaces, festivals, conferences and artist-run centers but also at scientific and technological institutions given the hybrid nature of her work that hovers across media and disciplines.<\/p>\n<p>These contexts are as diverse as Hessian Center for Artificial Intelligence, Darmstadt, Whitworth Gallery, Manchester, Kunsthal Extra City, Antwerp, Body Electric Retrospective, Toronto, xCoAx, Weimar, Fr\u00e9quence d&#8217;\u00e9coute program of Les travers\u00e9e du Marais Festival, Paris, Fylkingen New Music &amp; Intermedia Center, Stockholm, and Ars Electronica Festival, Linz. As an educator, Hedayati has taught courses at master&#8217;s and Master of Research level digital culture and critical theory.<br \/><a href=\"http:\/\/monahedayati.art\" target=\"_blank\" rel=\"noopener\">monahedayati.art<\/a><\/p>\n<\/blockquote>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;Texte Info Prod&#8221; module_class=&#8221;post-txt post-txt-info&#8221; _builder_version=&#8221;4.24.0&#8243; border_style=&#8221;solid&#8221; saved_tabs=&#8221;all&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><strong>Infos<\/strong><\/p>\n<ul>\n<li>26 &gt; 27.05.2024<\/li>\n<li>Ionian University<\/li>\n<li>Ioannou Theotoki 72, Kerkira 491 00, Gr\u00e8ce<\/li>\n<li><a href=\"https:\/\/3ai-24.sciencesconf.org\/\">3ai-24.sciencesconf.org<\/a><\/li>\n<\/ul>\n<p><strong>Production<\/strong><\/p>\n<ul>\n<li dir=\"ltr\"><a href=\"https:\/\/www.univ-paris8.fr\/UR-Laboratoire-Paragraphe\">Paragraphe<\/a> Lab. (axe <a href=\"https:\/\/citu-paragraphe.fr\/\">CiTU<\/a>), <a href=\"https:\/\/www.univ-paris8.fr\/\">Universit\u00e9 Paris 8<\/a> | <a href=\"https:\/\/www.cyu.fr\/recherche-et-valorisation\/structures-de-recherche\/laboratoires\/laboratoire-paragraphe\">CY Cergy-Paris Universit\u00e9<\/a>, France<\/li>\n<li dir=\"ltr\"><a href=\"https:\/\/arts.pantheonsorbonne.fr\/ecole-arts-sorbonne\">Ecole des Arts de la Sorbonne<\/a>, Universit\u00e9s, Paris 1 &#8211; Panth\u00e9on Sorbonne, France<\/li>\n<li dir=\"ltr\"><a href=\"http:\/\/transcultures.be\/\">Transcultures<\/a>, intermedia centre for digital and sound cultures, Belgium<\/li>\n<li dir=\"ltr\"><a href=\"http:\/\/pepinieres.eu\/\">European Pepinieres of Creation<\/a>, France<\/li>\n<li dir=\"ltr\"><a href=\"https:\/\/www.syros.aegean.gr\/en\">Department of Product and Systems Design Engineering<\/a>, University of the Aegean, Greece<\/li>\n<li dir=\"ltr\"><a href=\"https:\/\/avarts.ionio.gr\/en\/\">Department of Audio &amp; Visual Arts of the Ionian University<\/a>, Greece<\/li>\n<\/ul>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The European Pepinieres of Creation and Transcultures, partners of University Paris 8, are joining forces with this symposium to select and support international digital and intermedia artistic projects related to the theme which will be presented in parallel with the interventions\/conferences during the symposium on the university site of the Ionian University. The 1st &#8220;3AI&#8221; [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":28890,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[300,250,107,98,114,91,135,211,210,226,171,100,145],"tags":[],"class_list":["post-28900","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-2024-en","category-ar-vr-en","category-international-en","category-media-arts-en","category-mediation-en","category-mediation","category-meetings-en","category-multidisciplinary-en","category-pluridisciplinaires","category-science-en","category-urban-arts-en","category-video-arts-en","category-visual-arts-en"],"_links":{"self":[{"href":"http:\/\/pepinieres.eu\/en\/wp-json\/wp\/v2\/posts\/28900","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/pepinieres.eu\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/pepinieres.eu\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/pepinieres.eu\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/pepinieres.eu\/en\/wp-json\/wp\/v2\/comments?post=28900"}],"version-history":[{"count":3,"href":"http:\/\/pepinieres.eu\/en\/wp-json\/wp\/v2\/posts\/28900\/revisions"}],"predecessor-version":[{"id":29100,"href":"http:\/\/pepinieres.eu\/en\/wp-json\/wp\/v2\/posts\/28900\/revisions\/29100"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/pepinieres.eu\/en\/wp-json\/wp\/v2\/media\/28890"}],"wp:attachment":[{"href":"http:\/\/pepinieres.eu\/en\/wp-json\/wp\/v2\/media?parent=28900"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/pepinieres.eu\/en\/wp-json\/wp\/v2\/categories?post=28900"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/pepinieres.eu\/en\/wp-json\/wp\/v2\/tags?post=28900"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}