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Dar Zero is the new project of Philippe Franck and Tommy Lawson who are joining forces to combine, with a contextual approach, landscapes, sound, electronic and guitar treatments, poetry and singing. Their performances, always linked to the place of their production but also a certain nomadism, are as sonic as they are photographic and videographic.<\/p>\n
For this first performance following a residency at Databaz, Dar Zero invites creator-programmer Philippe Boisnard to work with them on the multimedia and visual aspects.<\/p>\n
Philippe Franck (Fr\/Be)<\/strong><\/p>\n Art historian, essayist and art critic, sound and intermedia producer\/creator, Philippe Franck is the artistic director and founder of Transcultures (since 1996). Under the alias Paradise Now, he has been developing a multifaceted artistic journey since the early 1990s, with a forward-looking and collaborative approach, blending cinematic audio landscapes, poetry and impressionistic singing and guitar.<\/p>\n philippefranck.be<\/a><\/p>\n<\/blockquote>\n Tommy Lawson (Tg\/Fr)<\/strong><\/p>\n As a sound artist, sound designer, and digital performer, he is also a producer and event curator promoting electronic music. He develops projects that blend electronic and electroacoustic music. In 2008, he founded Zone Libre, a structure for creation, production, and dissemination through which he organizes the eponymous Sound Arts Festival since 2019, at the intersection of art, science, and new technologies.<\/p>\n zone-libre.art<\/a><\/p>\n<\/blockquote>\n [\/et_pb_text][et_pb_text admin_label=”Texte” module_class=”post-txt artistTextBloc” _builder_version=”4.24.0″ border_style=”solid” global_colors_info=”{}”]<\/p>\n In line with his poetics of catastrophe (2015-2022), presented numerous times, Philippe Boisnard is developing a new poetic and audio-visual performance focusing on collapse.<\/p>\n Both a poem and a visual and sound experience, the live performance unfolds as an exploration of the collapse of an entire civilizational system: linguistic, spatial and graphic. Manipulated live in a form of synesthesia of sound and image, Collapse plunges the viewer into a minimalist and radical flash in order to capture the accelerated destruction of a world.<\/p>\n Philippe Boisnard (Fr)<\/strong><\/p>\n Multimedia artist and writer, Philippe Boisnard explores the construction of humanity through the materiality of codes and representations linked to political, social, economic, and post-historical dimensions.<\/p>\n All of his work reflects on the evolution of humanity in the age of cybernetics and digital technology. A regular contributor to numerous journals (Inter, Art actuel, Jungle Juice, L\u2019arm\u00e9e noire, Mobile Album International, Celebrity Caf\u00e9), he has published various poetic and philosophical narratives: “Pan Cake” (Hermaphrodite), “Atom-Z nous sommes 6 milliards” (publie.net), “Fronti\u00e8re du visage, analogique-num\u00e9rique” (L\u2019Harmattan).<\/p>\n His installations and performances have been showcased internationally in over 20 countries: at FIMAV (Canada), at the TOPO agency (Canada), at the Mapping Festival (Switzerland), at the Digital Choc (Japan), etc. In 2016, he notably curated exhibitions for the Acc\u00e8s(s) festivals in Pau.<\/p>\n databaz.org\/xtrm-art<\/a><\/p>\n<\/blockquote>\n <\/p>\n [\/et_pb_text][et_pb_text admin_label=”Texte” module_class=”post-txt artistTextBloc” _builder_version=”4.24.0″ border_style=”solid” global_colors_info=”{}”]<\/p>\n Avec un instrumentarium in\u00e9dit St\u00e9phane Kozik tente le d\u00e9fi de r\u00e9aliser un concert tout en cuisinant. L\u2019univers cr\u00e9\u00e9 par les appareils m\u00e9nagers qui s\u2019animent seuls, transforme la recette en v\u00e9ritable conte sonore, moment multisensoriel enrichissant \u00e0 la fois pour les yeux, les oreilles et les papilles.<\/p>\n Dans ce projet singulier, St\u00e9phane Kozik n\u2019h\u00e9site pas \u00e0 m\u00e9langer les genres et les disciplines : se rencontrent ainsi la pratique picturale de la nature morte et du pop art, la musique concr\u00e8te, la musique r\u00e9p\u00e9titive, progressive, \u00e9lectro-industrielle et la lutherie sauvage, sans oublier bien s\u00fbr l\u2019art de la table. Une mani\u00e8re pour l\u2019artiste de jouer \u00e0 nouveau avec les contextes en les donnant \u00e0 voir, \u00e0 \u00e9couter et \u00e0 vivre autrement, dans un moment de partage convivial.<\/p>\n Stephane Kozik intervenes live on his \u2018Digital Breakfast\u2019 installation in a performative form. In this sound performance, he takes us into a mix of electronic music played live with the kitchen furniture. He makes several small dishes live which he offers to the public during the performance. The utensils are amplified and produce household sounds when handled. With this unique instrumentarium St\u00e9phane Kozik takes on the challenge of putting on a concert while cooking. The universe created by the household appliances that come to life transforms the recipe into a real sound tale, a multisensory moment enriching for the eyes, ears and taste buds.<\/p>\n In this unique project, Stephane Kozik does not hesitate to mix genres and disciplines: the pictorial practice of still life and pop art, concrete music, repetitive, progressive, electro-industrial music come together and new instrument making, without forgetting of course the art of the table. A way for the artist to play again with contexts by allowing them to be seen, listened to and experienced differently, in a friendly moment of sharing.<\/p>\n\n
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Philippe Boisnard (Fr) | Paysage de la catastrophe<\/strong><\/h6>\n
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St\u00e9phane Kozik (Be) – Digital Recipes
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Stephane Kozik (Be)
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Bassist, \u00c9ric Brochard is one of those artists who tirelessly explores his instrument, breathing life into each note. He seems to evoke buried stories through the vibrations of his double bass, which he caresses, strikes, pinches or touches to extract raw and authentic sounds.<\/p>\n![\"\"](\"http:\/\/pepinieres.eu\/wp-content\/uploads\/2024\/04\/Databaz-Banner_thin-intermedia_art_center.jpg\")
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