[et_pb_section fb_built=”1″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text module_class=”post-txt” _builder_version=”4.23.1″ border_style=”solid” global_colors_info=”{}”]<\/p>\n
The International Symposium on HyperHeritage (HIS) focuses on the preservation, valorization, and transmission of both material and immaterial cultural heritage. It embraces a comprehensive view of heritage, encompassing material goods such as objects and architecture, as well as immaterial goods including oral traditions, performing arts, and traditional knowledge.<\/p>\n
HyperHeritage represents a hybrid environment of cultural heritage integrated with digital information. It explores new dimensions of perceiving and engaging with cultural information, facilitated by information technology and immersive devices like augmented and virtual reality.<\/p>\n
The digital society has fundamentally altered the cultural experience by changing how heritage is perceived and processed. Access, production, and cultural dissemination are heavily influenced by new technologies. Digital presence is no longer merely a platform but an integral dimension of the creative process, distribution, and reception of cultural and heritage information.<\/p>\n
[\/et_pb_text][et_pb_accordion _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_accordion_item title=”Program Thursday November 30 (french)” open=”on” _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n
9h00 : Accueil<\/strong> des participants \/ Registration 9h45 : Session 1<\/strong><\/p>\n 14h00 : session 2<\/strong><\/p>\n [\/et_pb_accordion_item][et_pb_accordion_item title=”Program Friday December 1 (french)” _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}” open=”off”]<\/p>\n 8h45 : Accueil<\/strong> des participants \/ Registration Cl\u00f4ture du colloque<\/strong><\/p>\n [\/et_pb_accordion_item][\/et_pb_accordion][et_pb_text admin_label=”Texte Info Prod” module_class=”post-txt post-txt-info” _builder_version=”4.23.1″ border_style=”solid” saved_tabs=”all” global_colors_info=”{}”]<\/p>\n Infos<\/strong><\/p>\n
9h30 : Ouverture<\/strong> du colloque \/ Opening Session<\/p>\n\n
\n
Jacques Ducloy (Chercheur associ\u00e9, Laboratoire Paragraphe \/ Universit\u00e9 Paris 8, Ing\u00e9nieur retrait\u00e9 CNRS
(INIST, LORIA), DRRT Lorraine, France)<\/li>\n
La num\u00e9risation, un outil de conservation du patrimoine culturel b\u00e2ti. Exp\u00e9rience du d\u00e9partement
d\u2019architecture de SETIF, Alg\u00e9rie.<\/li>\n
Taha Bouchaddakh (Universit\u00e9 de Strasbourg, France)<\/li>\n
tourisme<\/li>\n
Poitiers, France)<\/li>\n
Sabrina Mazigh (LADSIS, Universit\u00e9 Hassan II de Casablanca, Maroc & Paragraphe CITU, Universit\u00e9 Paris 8, France), Nasreddine Bouhai (Laboratoire Paragraphe, Universit\u00e9 de Paris 8, France), Nadia Kaaouas (LADSIS, Universit\u00e9 Hassan II de Casablanca, Maroc) and Khaldoun Zreik (Laboratoire Paragraphe, Universit\u00e9 de Paris 8, France)<\/li>\n<\/ul>\n\n
C\u00e9cile Barbier, Fran\u00e7oise D\u00e9cortis (Laboratoire Paragraphe, Universit\u00e9 de Paris 8, France)
Adaptive Super-Region Image Segmentation<\/li>\n
University, Palestine)<\/li>\n
Kaouther Zoghlami (Institut Sup\u00e9rieur des Beaux Arts de Tunis, Tunisie)<\/li>\n
l’am\u00e9lioration de l\u2019exp\u00e9rience de visite ?<\/li>\n
Paris 8, France)<\/li>\n
Naila Jendoubi (Ecole Sup\u00e9rieure Des Sciences & Technologies du Design, Unit\u00e9 de Recherche<\/li>\n
Adaptive Super-Region Image Segmentation
Felipe Loureiro, Roberto Bartholo and Aline Brufato (Laborat\u00f3rio Tecnologias, Di\u00e1logos e S\u00edtios,
COPPE UFRJ, Brazil)<\/li>\n<\/ul>\n
9h15 : Session 3 : <\/strong>M\u00e9diation du Patrimoine<\/p>\n\n
Corse et des Corses
Elia Vallecalle (UMR CNRS LISA 6240 Universit\u00e0 di Corsica, France)<\/li>\n
Riadh BEN ACHOUR (Institut Sup\u00e9rieur des Arts et M\u00e9tiers de Tataouine, Tunisie)<\/li>\n
M\u00e9lissa Mathieu, Vincent Tiffon (Laboratoire PRISM, Aix-Marseille Universit\u00e9, France) and Sylvie LeleuMerviel (Laboratoire LARSH-DeVisu, Universit\u00e9 Polytechnique Hauts-de-France, France)
Relational
Heritage: the Tangibility of the Intangible<\/li>\n
Amjad Rattrout, Kefaya Kmail, Emma Qumsiyeh, Mahmoud Barhamgi (Faculty of Engineering and Information Technology, Arab American University, Palestine) and Khaldoun Zreik (Laboratoire
Paragraphe, Universit\u00e9 Paris 8, France)<\/li>\n
Tataouine
In\u00e8s Sahtout Gaha (Unit\u00e9 de recherche Arts et Culture
Universit\u00e9 de Tunis-ISBAT, Tunisia), Imen Ben
Youssef Zorgati (\u00c9cole de design de la Facult\u00e9 de l\u2019am\u00e9nagement, Universit\u00e9 de Montr\u00e9al, Canada) and
Zoubeir Lafhaj (Laboratoire Multiphysique et M\u00e9canique Multi\u00e9chelle
Ecole Centrale de Lille, France)<\/li>\n
Pr\u00e9servation, de Transmission et de R\u00e9g\u00e9n\u00e9ration du Patrimoine Culturel
Lei Tian (Laboratoire Paragraphe, Universit\u00e9 de Paris 8, France)<\/li>\n
cas de l’architecture vernaculaire dans le Sud-Est Tunisien
Samir KHORCHANI (Institut Sup\u00e9rieur des Arts et M\u00e9tiers de Tataouine, Tunisie)<\/li>\n
Sahar Abid (Ecole Sup\u00e9rieure Des Sciences & Technologies du Design, Universit\u00e9 de la Manouba,
Tunisie), ABBES Naoufel (Ecole Sup\u00e9rieure Des Sciences & Technologies du Design \/ Unit\u00e9 de recherche
Transdisciplinaire Individus, Institution & Mutations (TiiM), Universit\u00e9 de la Manouba, Tunisie)<\/li>\n<\/ul>\n\n