The 01Design conferences aim to confront the different worlds of conception and design, more particularly these meetings are an opportunity to explore the complexity of the border between two contemporary faces of this universe which are the design of physical objects ( architecture, aeronautics, automobile, industrial design, etc.) and that, more recently, of the design of digital and\/or informational objects (communicating objects, Internet of things, cognitive interface, 3D printing, social design, augmented reality, reality virtual, etc).<\/p>\n<\/blockquote>\n
[\/et_pb_text][et_pb_accordion module_class=”accordionClosed eventBloc” _builder_version=”4.17.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][et_pb_accordion_item title=”Full program (french)” open=”on” _builder_version=”4.17.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n
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13 octobre 2022<\/strong><\/h6>\nSession 1 : pr\u00e9sident Anis Semlali<\/strong><\/p>\n\n- 09:30 – 10:00 – Khaldoun Zreik
Introduction 01 Design 12<\/li>\n - 10:00 – 10:30 – Claire Bord
L\u2019attention au milieu ou l\u2019\u00e9cologie du projet en design<\/li>\n - 10:30 – 11:00 – Fran\u00e7oise Decortis, Anne Bationo Tillon
Les th\u00e9ories de l\u2019activit\u00e9 peuvent-elles offrir de nouvelles perspectives pour le design non-intentionnel dans l\u2019\u00e9ducation ?<\/li>\n<\/ul>\nPause caf\u00e9<\/strong><\/p>\n\n- 11:30 – 12:00 – Omar Blibech, Naoufel Abbes
De la r\u00e9invention de l\u2019usage de l\u2019objet : au gr\u00e9 de l\u2019exp\u00e9rience-utilisateur.<\/li>\n - 12:00 – 12:30 – Mariem Dridi
L\u2019image num\u00e9rique \u00e0 l\u2019\u00e8re de la viralit\u00e9 : communication publicitaire spontan\u00e9e ou strat\u00e9gie organis\u00e9e<\/li>\n<\/ul>\nPause d\u00e9jeuner<\/strong><\/p>\nSession 2 : Naoufel Abbas<\/strong><\/p>\n\n- 14:00 – 14:30 – Imene Kechida
L\u2019exp\u00e9rimentation mat\u00e9rielle intuitive au c\u0153ur d’un design d\u2019exp\u00e9rience produit : retomb\u00e9es d\u2019une recherche p\u00e9dagogique.<\/li>\n - 14:30 – 15:00 – Ana\u00efs Bernard
L’hybridation, comme processus de conception des corps<\/li>\n - 15:00 – 15:30 – Amira Naoui
Morphologie du processus catastrophiste en architecture<\/li>\n<\/ul>\nPause caf\u00e9<\/strong><\/p>\n\n- 15:30 – 16:00 – Gaetan Le Coarer (en visio)
BOOM ! Le bruit du moteur d\u2019immersion dans la conduite accidentelle<\/li>\n - 16:00 – 16:30 – Marc Veyrat, Gaetan Le Coarer
II chevaux<\/li>\n - 16:30 – 17:00 – Salma Ktata
L’\u00e9cole Sup\u00e9rieure des sciences et technologies de design repense la formation en design vers une approche p\u00e9dagogique par comp\u00e9tences<\/li>\n<\/ul>\n14 octobre 2022<\/strong><\/h6>\nSession 3 : Omar Blibech<\/strong><\/p>\n\n- 09:30 – 10:00 – Xaviera Calixte, Samia Ben Rajeb, Aur\u00e9lie Jeunejean and Pierre Leclercq
M\u00e9thode de suivi de l\u2019usage des outils dans un processus collectif de conception : mise en \u00e9vidence des pratiques du design non intentionnel.<\/li>\n - 10:00 – 10:30 – Salma Akrout, Xaviera Calixte and Pierre Leclercq
L\u2019impact des m\u00e9thodes computationnelles sur l\u2019intention des architectes dans le processus de conception : entre design intentionnel et lib\u00e9ration du geste cr\u00e9atif<\/li>\n - 10:30 – 11:00 – Anis Semlali
L\u2019outil param\u00e9trique comme moyen d\u2019id\u00e9ation non-intentionnel<\/li>\n<\/ul>\nPause caf\u00e9<\/strong><\/p>\n\n- 11:30 – 12:00 – Smail Khainnar and Mei Menassel Savreux
De l\u2019intentionnalit\u00e9 dans le design d\u2019exp\u00e9rience usager<\/li>\n - 12:30 – 13:00 – Elizabeth Mortamais
Concevoir peut il devenir un acte d\u00e9nu\u00e9 d’intention ?<\/li>\n<\/ul>\nPause d\u00e9jeune<\/strong><\/p>\nSession 4 : Imad Saleh<\/strong><\/p>\n\n- 14:00 – 14:30 – Patrizia Laudati, Hafida Boulekbache
\u00ab Le chemin des \u00e2nes \u00bb : o\u00f9 quand le non intentionnel dessine des chemins<\/li>\n - 14:30 – 15:00 – Philippe Frank
De l\u2019art de l\u2019int\u00e9gration du contingent et de l\u2019impermanence dans la cr\u00e9ation sonore contemporaine<\/li>\n<\/ul>\nPause caf\u00e9<\/strong><\/p>\n\n- 15:30 – 16:00 – Ferdaws Belcadhi
Vers une s\u00e9miotique des pratiques urbaines \u00e0 l\u2019\u00e9preuve de l\u2019exp\u00e9rience<\/li>\n - 16:00 – 16:30\u00a0 – Nomen Gmach, Salma Abdennadher
La contextualisation du v\u00e9cu urbain en Tunisie au prisme de la spontan\u00e9it\u00e9 et de la planification urbaine<\/li>\n - 16:30 – 17:30 – Samuel Szoniecky
Table ronde 1 : conception non-intentionnelle<\/li>\n<\/ul>\n15 octobre 2022<\/strong><\/h6>\nPr\u00e9sentations des travaux des ateliers de “conception non intentionnelle” men\u00e9s par les \u00e9tudiants de l’ISAM – Sfax, l’UIK et l’ESSTED<\/strong><\/p>\n\n- 09:30 – 12:30
Animateurs : Meriem Gargouri (ISAM- Sfax) Ferdaws Belcadhi (UIK) Naoufel Abbes (ESSTED )<\/li>\n<\/ul>\nPause d\u00e9jeuner<\/strong><\/p>\nTable ronde 2 “synth\u00e8se et cl\u00f4ture”<\/strong><\/p>\n\n- 14:30 – 16:00
anim\u00e9e par Antonnela Tufano et les repr\u00e9sentants des instutitions participantes au colloque<\/li>\n<\/ul>\n[\/et_pb_accordion_item][et_pb_accordion_item title=”12th International Colloquium on Design Science and Technology” _builder_version=”4.17.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” open=”off” sticky_enabled=”0″]<\/p>\n
How to define the “Unintentional Design”?<\/p>\n
“The unintentional design is the daily diversion by the user of what has been designed. It does not create a new object but creates something new that replaces the old through the act of use. “(Uta Brandes). Daily human activity contributes to transform by adjusting constructed frameworks (Bruce B\u00e9gout).<\/p>\n
In architecture the unintentional approach took different forms during the end of the 20th century: incremental design by Lucien and Simone Kroll or design “pattern” by Christopher Alexander, retroactive design by Rem Koolhaas, structuralist design by Hermann Hertzberger or design negotiated for Frei Otto’s Eco-House, until the self-planning slums described by Yona Freidman. In all these examples, the unintentional design could be understood as an inductive pragmatic based on interpretative tasks in the face of a complex, obsolete or inoperative existent. Data interpretation, pattern recognition, misuse of uses (Richard Sennett) but also reverse engineering of objects or software.<\/p>\n
“Unintentional design” also refers to the idea of \u200b\u200ba designer-improviser who reacts to the situation, and for whom “waiting is not enough: we must now be ready, watch and jump, […] the proper use of the occasion presupposes an art [which requires] receptive and apprehensive graces, and as it creates the occasion itself, it is akin to musical improvisation “(Vladimir Jank\u00e9l\u00e9vitch). Then recedes the figure of this architect who colonizes the territories, spreads the city and builds a bright future dotted with traffic circles.<\/p>\n
Does drawing such an equivalence between perceiving, i.e. interpreting reality, and then conceiving it, i.e. acting on it, would not suppose to readjust certain hierarchies and especially to define new design tools?<\/p>\n
Recently, in this digital age, the phenomenon of UnIntentional Design (UID), like many others, has fundamentally freed itself to declare itself as an autonomous and legitimate intellectual practice.<\/p>\n
It has invaded the worlds of ICT to spread at high speed in many professional fields including those dealing with urban and architectural spaces.<\/p>\n
It suddenly becomes an “intentional” practice with its methods and tools. The UID is in the air of those times that want to be sustainable, participatory, evolving, shareable, … where the object in continuous design becomes an alibi of human transactions and new practices of social co-productions of information, knowledge and communicative objects (Internet of Things).<\/p>\n
[\/et_pb_accordion_item][\/et_pb_accordion][et_pb_text admin_label=”Texte Info Prod” module_class=”post-txt post-txt-info” _builder_version=”4.17.4″ hover_enabled=”0″ border_style=”solid” saved_tabs=”all” global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n
Infos<\/strong><\/p>\n
- \n
- 09:30 – 10:00 – Khaldoun Zreik
Introduction 01 Design 12<\/li>\n - 10:00 – 10:30 – Claire Bord
L\u2019attention au milieu ou l\u2019\u00e9cologie du projet en design<\/li>\n - 10:30 – 11:00 – Fran\u00e7oise Decortis, Anne Bationo Tillon
Les th\u00e9ories de l\u2019activit\u00e9 peuvent-elles offrir de nouvelles perspectives pour le design non-intentionnel dans l\u2019\u00e9ducation ?<\/li>\n<\/ul>\nPause caf\u00e9<\/strong><\/p>\n
- \n
- 11:30 – 12:00 – Omar Blibech, Naoufel Abbes
De la r\u00e9invention de l\u2019usage de l\u2019objet : au gr\u00e9 de l\u2019exp\u00e9rience-utilisateur.<\/li>\n - 12:00 – 12:30 – Mariem Dridi
L\u2019image num\u00e9rique \u00e0 l\u2019\u00e8re de la viralit\u00e9 : communication publicitaire spontan\u00e9e ou strat\u00e9gie organis\u00e9e<\/li>\n<\/ul>\nPause d\u00e9jeuner<\/strong><\/p>\n
Session 2 : Naoufel Abbas<\/strong><\/p>\n
- \n
- 14:00 – 14:30 – Imene Kechida
L\u2019exp\u00e9rimentation mat\u00e9rielle intuitive au c\u0153ur d’un design d\u2019exp\u00e9rience produit : retomb\u00e9es d\u2019une recherche p\u00e9dagogique.<\/li>\n - 14:30 – 15:00 – Ana\u00efs Bernard
L’hybridation, comme processus de conception des corps<\/li>\n - 15:00 – 15:30 – Amira Naoui
Morphologie du processus catastrophiste en architecture<\/li>\n<\/ul>\nPause caf\u00e9<\/strong><\/p>\n
- \n
- 15:30 – 16:00 – Gaetan Le Coarer (en visio)
BOOM ! Le bruit du moteur d\u2019immersion dans la conduite accidentelle<\/li>\n - 16:00 – 16:30 – Marc Veyrat, Gaetan Le Coarer
II chevaux<\/li>\n - 16:30 – 17:00 – Salma Ktata
L’\u00e9cole Sup\u00e9rieure des sciences et technologies de design repense la formation en design vers une approche p\u00e9dagogique par comp\u00e9tences<\/li>\n<\/ul>\n14 octobre 2022<\/strong><\/h6>\n
Session 3 : Omar Blibech<\/strong><\/p>\n
- \n
- 09:30 – 10:00 – Xaviera Calixte, Samia Ben Rajeb, Aur\u00e9lie Jeunejean and Pierre Leclercq
M\u00e9thode de suivi de l\u2019usage des outils dans un processus collectif de conception : mise en \u00e9vidence des pratiques du design non intentionnel.<\/li>\n - 10:00 – 10:30 – Salma Akrout, Xaviera Calixte and Pierre Leclercq
L\u2019impact des m\u00e9thodes computationnelles sur l\u2019intention des architectes dans le processus de conception : entre design intentionnel et lib\u00e9ration du geste cr\u00e9atif<\/li>\n - 10:30 – 11:00 – Anis Semlali
L\u2019outil param\u00e9trique comme moyen d\u2019id\u00e9ation non-intentionnel<\/li>\n<\/ul>\nPause caf\u00e9<\/strong><\/p>\n
- \n
- 11:30 – 12:00 – Smail Khainnar and Mei Menassel Savreux
De l\u2019intentionnalit\u00e9 dans le design d\u2019exp\u00e9rience usager<\/li>\n - 12:30 – 13:00 – Elizabeth Mortamais
Concevoir peut il devenir un acte d\u00e9nu\u00e9 d’intention ?<\/li>\n<\/ul>\nPause d\u00e9jeune<\/strong><\/p>\n
Session 4 : Imad Saleh<\/strong><\/p>\n
- \n
- 14:00 – 14:30 – Patrizia Laudati, Hafida Boulekbache
\u00ab Le chemin des \u00e2nes \u00bb : o\u00f9 quand le non intentionnel dessine des chemins<\/li>\n - 14:30 – 15:00 – Philippe Frank
De l\u2019art de l\u2019int\u00e9gration du contingent et de l\u2019impermanence dans la cr\u00e9ation sonore contemporaine<\/li>\n<\/ul>\nPause caf\u00e9<\/strong><\/p>\n
- \n
- 15:30 – 16:00 – Ferdaws Belcadhi
Vers une s\u00e9miotique des pratiques urbaines \u00e0 l\u2019\u00e9preuve de l\u2019exp\u00e9rience<\/li>\n - 16:00 – 16:30\u00a0 – Nomen Gmach, Salma Abdennadher
La contextualisation du v\u00e9cu urbain en Tunisie au prisme de la spontan\u00e9it\u00e9 et de la planification urbaine<\/li>\n - 16:30 – 17:30 – Samuel Szoniecky
Table ronde 1 : conception non-intentionnelle<\/li>\n<\/ul>\n15 octobre 2022<\/strong><\/h6>\n
Pr\u00e9sentations des travaux des ateliers de “conception non intentionnelle” men\u00e9s par les \u00e9tudiants de l’ISAM – Sfax, l’UIK et l’ESSTED<\/strong><\/p>\n
- \n
- 09:30 – 12:30
Animateurs : Meriem Gargouri (ISAM- Sfax) Ferdaws Belcadhi (UIK) Naoufel Abbes (ESSTED )<\/li>\n<\/ul>\nPause d\u00e9jeuner<\/strong><\/p>\n
Table ronde 2 “synth\u00e8se et cl\u00f4ture”<\/strong><\/p>\n
- \n
- 14:30 – 16:00
anim\u00e9e par Antonnela Tufano et les repr\u00e9sentants des instutitions participantes au colloque<\/li>\n<\/ul>\n[\/et_pb_accordion_item][et_pb_accordion_item title=”12th International Colloquium on Design Science and Technology” _builder_version=”4.17.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” open=”off” sticky_enabled=”0″]<\/p>\n
How to define the “Unintentional Design”?<\/p>\n
“The unintentional design is the daily diversion by the user of what has been designed. It does not create a new object but creates something new that replaces the old through the act of use. “(Uta Brandes). Daily human activity contributes to transform by adjusting constructed frameworks (Bruce B\u00e9gout).<\/p>\n
In architecture the unintentional approach took different forms during the end of the 20th century: incremental design by Lucien and Simone Kroll or design “pattern” by Christopher Alexander, retroactive design by Rem Koolhaas, structuralist design by Hermann Hertzberger or design negotiated for Frei Otto’s Eco-House, until the self-planning slums described by Yona Freidman. In all these examples, the unintentional design could be understood as an inductive pragmatic based on interpretative tasks in the face of a complex, obsolete or inoperative existent. Data interpretation, pattern recognition, misuse of uses (Richard Sennett) but also reverse engineering of objects or software.<\/p>\n
“Unintentional design” also refers to the idea of \u200b\u200ba designer-improviser who reacts to the situation, and for whom “waiting is not enough: we must now be ready, watch and jump, […] the proper use of the occasion presupposes an art [which requires] receptive and apprehensive graces, and as it creates the occasion itself, it is akin to musical improvisation “(Vladimir Jank\u00e9l\u00e9vitch). Then recedes the figure of this architect who colonizes the territories, spreads the city and builds a bright future dotted with traffic circles.<\/p>\n
Does drawing such an equivalence between perceiving, i.e. interpreting reality, and then conceiving it, i.e. acting on it, would not suppose to readjust certain hierarchies and especially to define new design tools?<\/p>\n
Recently, in this digital age, the phenomenon of UnIntentional Design (UID), like many others, has fundamentally freed itself to declare itself as an autonomous and legitimate intellectual practice.<\/p>\n
It has invaded the worlds of ICT to spread at high speed in many professional fields including those dealing with urban and architectural spaces.<\/p>\n
It suddenly becomes an “intentional” practice with its methods and tools. The UID is in the air of those times that want to be sustainable, participatory, evolving, shareable, … where the object in continuous design becomes an alibi of human transactions and new practices of social co-productions of information, knowledge and communicative objects (Internet of Things).<\/p>\n
[\/et_pb_accordion_item][\/et_pb_accordion][et_pb_text admin_label=”Texte Info Prod” module_class=”post-txt post-txt-info” _builder_version=”4.17.4″ hover_enabled=”0″ border_style=”solid” saved_tabs=”all” global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n
Infos<\/strong><\/p>\n
- 14:30 – 16:00
- 09:30 – 12:30
- 15:30 – 16:00 – Ferdaws Belcadhi
- 14:00 – 14:30 – Patrizia Laudati, Hafida Boulekbache
- 11:30 – 12:00 – Smail Khainnar and Mei Menassel Savreux
- 09:30 – 10:00 – Xaviera Calixte, Samia Ben Rajeb, Aur\u00e9lie Jeunejean and Pierre Leclercq
- 15:30 – 16:00 – Gaetan Le Coarer (en visio)
- 14:00 – 14:30 – Imene Kechida
- 11:30 – 12:00 – Omar Blibech, Naoufel Abbes