{"id":21769,"date":"2021-11-09T14:42:07","date_gmt":"2021-11-09T13:42:07","guid":{"rendered":"http:\/\/pepinieres.eu\/marylou\/"},"modified":"2021-11-10T16:53:57","modified_gmt":"2021-11-10T15:53:57","slug":"marylou","status":"publish","type":"post","link":"http:\/\/pepinieres.eu\/en\/marylou\/","title":{"rendered":"Marylou (Fr) | Ch\u00e2teau \u00c9ph\u00e9m\u00e8re (Fr) 2021-22 laureat"},"content":{"rendered":"

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Marylou<\/a> est une artiste sonore, \u00e9lectronique et hackeuse partageant sa vie entre Paris et les Pays-Bas. Son travail se d\u00e9ploie \u00e0 la fois dans les champs de la musique, la sculpture, l\u2019installation et la performance. Passionn\u00e9e d’\u00e9cologie et d’\u00e9lectronique, elle s’\u00e9panouit aujourd’hui dans la cr\u00e9ation de synth\u00e9tiseurs atypiques qui donnent une nouvelle dimension po\u00e9tique \u00e0 l’\u00e9tude de la biosph\u00e8re et du changement climatique. Elle module notamment des chants d\u2019oiseaux qu’elle archive depuis 2018, via des machines qu’elle dessine, code et soude telles des reconstructions artificielles de ces chanteurs en voie de disparition. En 2020, elle cr\u00e9e entre autres le Bird translator: un synth\u00e9tiseur permettant de transformer la voix humaine en chant de rossignol.<\/p>\n

Pla\u00e7ant sa recherche au c\u0153ur de la disparition du monde sensible des \u00e9cosyst\u00e8mes, Marylou d\u00e9c\u00e8le dans le m\u00e9dium \u00e9lectronique un pouvoir enchanteur, qui stimule chacun de nos sens de mani\u00e8re exacerb\u00e9e et nous guide \u00e0 travers des perceptions et des interactions plus fines. Souhaitant comprendre et repr\u00e9senter les r\u00e9seaux complexes de la nature, son travail vise \u00e0 mettre en \u00e9vidence les similitudes entre ces \u00e9cosyst\u00e8mes bris\u00e9s et les interfaces \u00e9lectroniques. L’artiste expose son travail comme un m\u00e9lange entre une exp\u00e9rience profond\u00e9ment sensible et un outil p\u00e9dagogique sous la forme d’ambiances au sein desquelles le public peut intervenir.<\/p>\n

[\/et_pb_text][et_pb_video src=”https:\/\/vimeo.com\/476422306″ _builder_version=”4.9.0″ _module_preset=”default”][\/et_pb_video][et_pb_text admin_label=”Bio” _builder_version=”4.9.0″ border_style=”solid”]<\/p>\n

Con\u00e7ue en 2020 lors d’une r\u00e9sidence au studio V2_Lab de Rotterdam, son installation Jardin \u00e9lectronique est compos\u00e9e d’une s\u00e9rie de synth\u00e9tiseurs reproduisant les r\u00e9pertoires acoustiques des oiseaux d\u00e9clinant de la Camargue. Le public est amen\u00e9 \u00e0 manipuler les instruments de l’installation, troubler leur \u00e9cosyst\u00e8me, et ainsi devenir ma\u00eetre d’orchestre de ce paysage restaur\u00e9. Ce projet a \u00e9t\u00e9 pr\u00e9sent\u00e9 au Temporary Art Center d’Eindhoven en 2020, ainsi qu’\u00e0 la galerie KOP de Breda en 2021. En septembre dernier, il est pr\u00e9sent\u00e9 \u00e0 l’Espace 38CC de Delft au sein de l’exposition Alienated, collaboration de plusieurs artistes dont la pratique illustre l’\u0153uvre de la philosophe Donna Haraway.<\/p>\n

En tant que musicienne, elle cultive sa biblioth\u00e8que de paysages sonores comme un v\u00e9ritable m\u00e9dium de composition musicale. En 2019, elle imagine son premier album \u2018Texel\u2019 sur l\u2019\u00eele du m\u00eame nom situ\u00e9e au nord des Pays-Bas. Elle enregistre et autoproduit cet opus \u00e0 Eindhoven, sa ville d\u2019adoption, aupr\u00e8s d’une famille de musicien.ne.s port\u00e9e par les valeurs du folk de Townes van Zandt et de Joan Baez. Cet album se d\u00e9cline comme une errance volontaire introspective, contemplant la fragilit\u00e9 du paysage et la m\u00e9moire qu\u2019il r\u00e9veille. Ses textes accompagnant ses oiseaux, sa guitare et son autoharpe, sondent les f\u00ealures du corps et du c\u0153ur comme des sinc\u00e9rit\u00e9s qu’on n’ose \u00e0 peine montrer. Donnant leur mesure v\u00e9ritable aux mots et \u00e0 leur sens, Marylou s\u2019inspire d\u2019artistes engag\u00e9.e.s comme Pomme, Yseult ou Kishi Bashi, et de po\u00e8tes f\u00e9ministes comme Rupi Kaur. Elle performera les chansons de cet album le plus souvent \u00e0 Eindhoven, \u00e0 Arles et \u00e0 Paris. Elle est aujourd\u2019hui en pleine construction de son grand synth\u00e9tiseur, la \u2018Big Bird Boxe\u2019, qui lui permettra de manipuler sur sc\u00e8ne les paysages sonores qui fleurissent sa musique.<\/p>\n

Marylou est laur\u00e9ate des r\u00e9sidences artistiques du Centre Tignous d’Art Contemporain de Montreuil ainsi que de la r\u00e9sidence \u2018Arts num\u00e9riques, arts sonores et nouvelles \u00e9critures\u2019 du Ch\u00e2teau \u00c9ph\u00e9m\u00e8re de Carri\u00e8res-Sous-Poissy pour l\u2019ann\u00e9e 2021-22. Son projet explorera la biodiversit\u00e9 de la r\u00e9gion sous la forme d’\u00e9cosyst\u00e8mes purement \u00e9lectriques, notamment les insectes en collaboration avec la Maison des Insectes, et les esp\u00e8ces du parc des Beaumonts de Montreuil.<\/p>\n

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maryloupetot.com<\/a><\/p>\n<\/blockquote>\n

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\n<\/strong><\/p>\n

\"\"<\/a><\/p>\n

Supported by the Greater Paris Seine & Oise Urban Community, the Ch\u00e2teau Vanderbilt rehabilitation project was awarded to the Caserne \u00c9ph\u00e9m\u00e8re<\/em> association, which for more than 25 years has been pursuing the objective of transforming abandoned spaces into places of artistic imagination.<\/span> Two years of study were necessary to revive this Anglo-Norman residence and give it an innovative artistic boost.<\/span> Only 3 years, to pass from the stage of reflection realization.<\/span><\/p>\n

Place of residences and digital creation, Ch\u00e2teau \u00c9ph\u00e9m\u00e8re<\/a> has offered, since November 2014 and over 2000 m2, more than a dozen workshops with a creative vocation, artistic residences, a digital laboratory as well as spaces for transmission and<\/span> exchange.<\/span><\/span><\/p>\n

Once a year, Ch\u00e2teau \u00c9ph\u00e9m\u00e8re launches a open call for candidatures to sound and digital artists wishing to benefit from privileged support which combines production grants, workspace, accommodation and the provision of a<\/span> quality technical park.<\/span> However, throughout the year, the Ch\u00e2teau \u00c9ph\u00e9m\u00e8re welcomes artists carrying out innovative projects and needing space to carry it out for shorter periods.<\/span><\/span>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

Marylou est une artiste sonore, \u00e9lectronique et hackeuse partageant sa vie entre Paris et les Pays-Bas. Son travail se d\u00e9ploie \u00e0 la fois dans les champs de la musique, la sculpture, l\u2019installation et la performance. Passionn\u00e9e d’\u00e9cologie et d’\u00e9lectronique, elle s’\u00e9panouit aujourd’hui dans la cr\u00e9ation de synth\u00e9tiseurs atypiques qui donnent une nouvelle dimension po\u00e9tique \u00e0 […]<\/p>\n","protected":false},"author":1,"featured_media":21785,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[31,223,111,35,98,211,2,99,145],"tags":[],"class_list":["post-21769","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-all-news-en","category-2021-en","category-france-en","category-laureats-en","category-media-arts-en","category-multidisciplinary-en","category-news-en","category-sound-arts-en","category-visual-arts-en"],"_links":{"self":[{"href":"http:\/\/pepinieres.eu\/en\/wp-json\/wp\/v2\/posts\/21769","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/pepinieres.eu\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/pepinieres.eu\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/pepinieres.eu\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/pepinieres.eu\/en\/wp-json\/wp\/v2\/comments?post=21769"}],"version-history":[{"count":3,"href":"http:\/\/pepinieres.eu\/en\/wp-json\/wp\/v2\/posts\/21769\/revisions"}],"predecessor-version":[{"id":21809,"href":"http:\/\/pepinieres.eu\/en\/wp-json\/wp\/v2\/posts\/21769\/revisions\/21809"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/pepinieres.eu\/en\/wp-json\/wp\/v2\/media\/21785"}],"wp:attachment":[{"href":"http:\/\/pepinieres.eu\/en\/wp-json\/wp\/v2\/media?parent=21769"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/pepinieres.eu\/en\/wp-json\/wp\/v2\/categories?post=21769"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/pepinieres.eu\/en\/wp-json\/wp\/v2\/tags?post=21769"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}