{"id":21309,"date":"2021-10-01T13:31:40","date_gmt":"2021-10-01T11:31:40","guid":{"rendered":"http:\/\/pepinieres.eu\/emergences-numeriques-lumen-6-marionnettes-et-arts-numeriques\/"},"modified":"2022-01-10T15:20:18","modified_gmt":"2022-01-10T14:20:18","slug":"emergences-numeriques-lumen-6-marionnettes-et-arts-numeriques","status":"publish","type":"post","link":"http:\/\/pepinieres.eu\/en\/emergences-numeriques-lumen-6-marionnettes-et-arts-numeriques\/","title":{"rendered":"13 > 24.10.2021 | \u00c9mergences num\u00e9riques @ Lumen #6 \u2013 Marionnettes et Arts num\u00e9riques (Be)"},"content":{"rendered":"

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For 4 years, the Center de la Marionnette (Tournai) and Transcultures – Pepinieres of Creation have joined forces at the annual Lumen event to support and promote digital, intermedia or \/ and sound projects by students from the Eurometropolis: Arts2 – Visual Arts School of Mons,\u00a0 ESA – Academy of Fine Arts of Tournai, Art School ES\u00c4 – Nord Pas de Calais \/ Tourcoing – Dunkirk.<\/p>\n

Each year, the structures also launch a national and international call for participation in the direction of artists who work at the intersections of digital arts, sciences and puppetry arts. This year 2 artists ( Veronika Akopova et Jean -Philippe Loridan) were awarded this aid grant.<\/p>\n

Note also for this edition 2021, the presence of the pioneer artist Zaven Par\u00e9 (FR) in the transdisciplinary fields of arts, robotics and contemporary puppetry arts.<\/p>\n

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Lumen, a flagship event where puppets and digital arts meet at the Centre of the Puppet Art. The programming of each edition is family and free! Each of the editions invites the public to discover surprising, poetic and unique universes. During Lumen # 6, for a month, around ten works by emerging or confirmed artists, from the Wallonia-Brussels Federation and elsewhere will be visible to discover the art of manipulation of objects, images, of bodies under the eye of digital arts. Lumen focuses this year on Zaven Par\u00e9,\u00a0 visual artist, precursor of the electronic puppet.<\/p>\n<\/blockquote>\n

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13 > 24.10.2021 | Digital Emergences exhibition<\/strong><\/h6>\n

S\u00e9raphim Soupizet (Fr) – Murailles<\/strong><\/p>\n

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\u2018Murailles\u2019 tries to make the Roses of Jericho, desert plants play modal music.<\/p>\n

These prehistoric ferns have the particularity of having movements visible to the naked eye when in contact with water. Thanks to cameras and a visual data processing program, the plant quartet produces music almost autonomously.<\/p>\n

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Graduated from the Art School of\u00a0 Nord-Pas-de-Calais Dunkirk \/ Tourcoing, S\u00e9raphim Soupizet’s approach is developed around the notions of inframince and punctum. He seeks to share his fascination with certain things with humor and poetry.<\/p>\n<\/blockquote>\n

Thibault Drouillon (Be) – Empty tape loop make generative composition<\/strong><\/p>\n

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Sound device where a blank cassette is played by a player. Although nothing was recorded there, this analog device generates sounds similar to crackles and white noise. These are picked up by a microphone blowing it directly into a looper with generative properties. The noise generated by the blank cassette therefore becomes the fruit of an indeterminate and infinite composition, continually reinventing itself.<\/p>\n

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Thibaut Drouillon began in 2016 to study at the school of visual arts ARTS\u00b2 (Mons) in the IDM (image in the context) section, marking a turning point in his vision of art that resulted in the discovery of sonic art. He then participated for two years in the workshop \u201cSonic and Digital Emergences\u201d organized by Transcultures. This led to participation in two group exhibitions: he presented the piece \u201cPerc\u00e9cit\u00e9\u201d at City Sonic festival in 2017 in Charleroi and Jump Vox\u201d at City Sonic 2019 in\u00a0 Louvain-La-Neuve en 2019 ; his work \u201cMachines sonores\u201d, was shown at the Digital contemplation event in Villers-la-Ville in 2018. He\u00a0 was an\u00a0 Erasmus student\u00a0 at Villa Arson (Art School of Nice), as part of his master\u2019s degree. He continues to be supported by Transcultures.<\/p>\n<\/blockquote>\n

La chambre | C\u00e9dric Shaack (Be)<\/strong><\/p>\n

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C\u00e9dric Shaack invites the visitor to his confined room reproduced in the exhibition room and to choose a white envelope on his desk. Each contains a sheet with a QR code that gives access just for Lumen’s time to the comments of a trans person invited for the occasion by the artist sensitive to the current issues of the expression of diversity.<\/p>\n

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C\u00e9dric Shaack likes to make people smile. And that’s where his ideas develop. He seeks to create pieces that will make people who see them smile. And to leave traces that will make them smile even later. C\u00e9dric Shaack is in master’s degree at ARTS2 (Mons) – digital arts dpt.<\/p>\n<\/blockquote>\n

Isma\u00ebl Cabelo Salcedo (MX) – Chronique d\u2019une pand\u00e9mie + El Viaje Definitivo<\/strong><\/p>\n

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Chronicle of a pandemic<\/strong><\/p>\n

In this sound piece, the aim is to approach the chronicle of the pandemic through symbolic speeches that show the reactions that several political leaders from different countries\u00a0 have communicated to the situation, each speech being able to resemble a copy of another in a form of repetition on an international media scale.<\/p>\n

El Viaje Definitivo<\/strong><\/p>\n

This intermedia installation in several parts (here in fluctuating augmented reality scenes), invites us to reflect on our possible future. \u201cThe only destination is at the end of the road. In the middle of the trip, the possibilities are endless but every moment is experienced as a first time, without preparation \u201d.<\/p>\n

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Multidisciplinary artist of Mexican origin, Isma\u00ebl Cabelo Salcedo graduated from ARTS2 (Mons) – digital arts dpt.<\/p>\n<\/blockquote>\n

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Lumen #6 – Laureats call<\/strong><\/h6>\n

Bok-o-bok (Fr\/Ru) – Flying Bodies across the field<\/strong><\/p>\n

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\u2018Flying Bodies Across the Fields\u2019 is a choreographic piece for four performers and a swarm of drones, exploring the phenomenon of bee disappearance and the use of pollinating drones to compensate for this loss.<\/p>\n

Strongly inspired by current research in biology and robotics, this project questions the limits of humans to imitate nature and their place in a world where the machine becomes responsible for the reproduction of plants, and therefore for the creation of life.<\/p>\n