[et_pb_section fb_built=”1″ _builder_version=”3.22″][et_pb_row _builder_version=”3.25″][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text module_class=”post-txt” _builder_version=”4.9.0″ border_style=”solid”]<\/p>\n
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Transdisciplinary and international review launched in October 2019, both demanding and accessible free of charge, LINKs<\/a> is a beautiful stirrer of thoughts that crosses different fields of scientific investigation (from neurosciences to quantum physics, from artificial intelligence to systems theory), philosophical, artistic (again with a wide range covered and crossing various contemporary practices). We can only support such an adventure which succeeds in bringing together such a great committee of talented researchers, academics, critics, artists.<\/p>\n As Louis-Jos\u00e9 Lestoquart, the director \/ initiator of this unique review, which also combines French and English, points out:<\/p>\n \u201cIn a context where culture and civilizations are in transition, where global politico-economic and technological data are once again disrupted, particularly with the emergence of Big Data, connected objects and transhumanist thinking, LINKs is breaking away from reductionists and questions the notion of reality through kinds of “thought experiments”. It offers essays more than theories. She does not “teach” specifically, but experiencing and living herself through her writings, she shows attempts, operates through very varied and extensive fields, returns in infinite numbers, in order to find the right language, the principle of intelligibility\u201d.<\/p>\n<\/blockquote>\n A double issue (#5 & #6) has just appeared as if to reassure us about the very living state of critical thinking in these mono-obsessive times. While an important dossier is devoted to the complexity and aesthetics of the famous French writer Marcel Proust, many other themes are also explored.<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”3.25″][et_pb_column type=”1_2″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_image src=”http:\/\/pepinieres.eu\/wp-content\/uploads\/2021\/02\/LINKs_serie_5_6-Cover1-Marcel_Proust-Pepinieres_Europeenes_de_Creation-Transcultures-2021.jpg” title_text=”LINKs_serie_5_6-Cover1-Marcel_Proust-Pepinieres_Europeenes_de_Creation-Transcultures-2021″ url=”http:\/\/links-series.com\/n-5-6-marcel-proust\/” _builder_version=”4.9.0″ _module_preset=”default”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_image src=”http:\/\/pepinieres.eu\/wp-content\/uploads\/2021\/02\/LINKs_serie_5_6-Cover-collaborations-Marcel_Proust-Pepinieres_Europeenes_de_Creation-Transcultures-2021.jpg” title_text=”LINKs_serie_5_6-Cover-collaborations-Marcel_Proust-Pepinieres_Europeenes_de_Creation-Transcultures-2021″ url=”http:\/\/links-series.com\/n-5-6-marcel-proust\/” _builder_version=”4.9.0″ _module_preset=”default”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.25″][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text module_class=”post-txt” _builder_version=”4.9.0″ border_style=”solid”]<\/p>\n In the \u201cScientific Perspectives\u201d part, we can dive into the world of quantum computing (Cristian S. Calude), think about resilience (Christophe Goupil, Eric Herbert, Henri Benisty), the hypothesis on Homo-Canis parallelism in human evolution (Christophe Kihm) or even going from the semiophysics to the \u2018Divine Comedy\u2019 (Bruno Pinchard), while in the section \u201cArt (s) and (some) thoughts\u201d, the sound arts and their various challenges are quite present with a history typological sound poetry (Philippe Franck), sound design and intrusiveness (Andrea Cera and Nicolas Misdariis) or a \u2018Fata Morgana\u2019 signed by the experimental turntablist eRikm.<\/p>\n We will also note in this abundant double review, the text on corporality \/ corporateness and technological contact by the choreographer Isabelle Choini\u00e8re and the questions of the plastic puppeteer Zaven Par\u00e9 on the virtual domestic character Hikari.<\/p>\n [\/et_pb_text][et_pb_toggle title=”LINKs s\u00e9rie 5 – Marcel Proust 1″ admin_label=”Table mati\u00e8re 1″ _builder_version=”4.9.0″ _module_preset=”default”]<\/p>\n [\/et_pb_toggle][et_pb_toggle title=”LINKs s\u00e9rie 5 – Marcel Proust 2″ admin_label=”Table mati\u00e8re 2″ _builder_version=”4.9.0″ _module_preset=”default”]<\/p>\n [\/et_pb_toggle][et_pb_toggle title=”Drafting committee” admin_label=”Comit\u00e9” _builder_version=”4.9.0″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″]<\/p>\n Director of publication: Louis-Jos\u00e9 Lestocart, Art and film critic, essayist, theorist of Complexity<\/p>\n Founders members<\/strong><\/p>\n Active members<\/strong><\/p>\n Historical member<\/strong><\/p>\n [\/et_pb_toggle][et_pb_text admin_label=”Texte Info Prod” module_class=”post-txt post-txt-info” _builder_version=”4.9.0″ border_style=”solid” saved_tabs=”all”]<\/p>\n Infos<\/strong><\/p>\n Production<\/strong><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" \u200b Transdisciplinary and international review launched in October 2019, both demanding and accessible free of charge, LINKs is a beautiful stirrer of thoughts that crosses different fields of scientific investigation (from neurosciences to quantum physics, from artificial intelligence to systems theory), philosophical, artistic (again with a wide range covered and crossing various contemporary practices). We […]<\/p>\n","protected":false},"author":1,"featured_media":19431,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[31,223,97,108,111,107,2,116,103,174],"tags":[],"class_list":["post-19445","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-all-news-en","category-2021-en","category-agenda-en","category-books-en","category-france-en","category-international-en","category-news-en","category-production-en","category-publishing","category-writing-en"],"_links":{"self":[{"href":"http:\/\/pepinieres.eu\/en\/wp-json\/wp\/v2\/posts\/19445","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/pepinieres.eu\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/pepinieres.eu\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/pepinieres.eu\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/pepinieres.eu\/en\/wp-json\/wp\/v2\/comments?post=19445"}],"version-history":[{"count":3,"href":"http:\/\/pepinieres.eu\/en\/wp-json\/wp\/v2\/posts\/19445\/revisions"}],"predecessor-version":[{"id":19461,"href":"http:\/\/pepinieres.eu\/en\/wp-json\/wp\/v2\/posts\/19445\/revisions\/19461"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/pepinieres.eu\/en\/wp-json\/wp\/v2\/media\/19431"}],"wp:attachment":[{"href":"http:\/\/pepinieres.eu\/en\/wp-json\/wp\/v2\/media?parent=19445"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/pepinieres.eu\/en\/wp-json\/wp\/v2\/categories?post=19445"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/pepinieres.eu\/en\/wp-json\/wp\/v2\/tags?post=19445"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}\n
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<\/strong>Pr\u00e9sentation de LINKs 5 et 6<\/em><\/li>\n<\/ul>\n\n
<\/strong><\/li>\n<\/ul>\n\n
Textile matters: a transdisciplinary manifesto<\/em><\/li>\n<\/ul>\nDossier
<\/strong>Complexit\u00e9 et esth\u00e9tique de Marcel Proust<\/h4>\n\n
<\/strong>Proust\/Deleuze. Hors de soi : au commencement \u00e9tait le vertige<\/em><\/li>\n<\/ul>\n\n
<\/strong>La lecture des allusions chez Proust : une complexit\u00e9 programm\u00e9e<\/em><\/li>\n<\/ul>\n\n
<\/strong>\u00ab Complexit\u00e9 ordonn\u00e9e \u00bb et \u00ab complexit\u00e9 confuse \u00bb : les deux p\u00f4les de la phrase proustienne<\/em><\/li>\n<\/ul>\n\n
<\/strong>\u00c9crire (d\u2019)apr\u00e8s Proust. Alain Satg\u00e9, <\/em>Tu n\u2019\u00e9criras point simple<\/em><\/li>\n<\/ul>\n\n
<\/strong>M\u00e9m\u00e9 en vadrouille<\/em><\/li>\n<\/ul>\nScientific Perspectives, Humanities and Research<\/strong>
Perspectives scientifiques, sciences humaines et recherche<\/h4>\n\n
Penser la r\u00e9silience. Un regard thermodynamique 1 : du concept de r\u00e9silience<\/em><\/li>\n<\/ul>\n\n
Symmetries and Metamorphoses<\/em><\/li>\n<\/ul>\n\n
Localit\u00e9 et globalit\u00e9<\/em><\/li>\n<\/ul>\n\n
Adaptive Fungal Architectures<\/em><\/li>\n<\/ul>\n\n
Quantum Computing: Coping with Underpowered, Inaccurate, but Astonishing Quantum Computers<\/em><\/li>\n<\/ul>\n\n
A promising perspective in <\/em>searching for information. <\/em>\u201cHorizon 2020\u201d<\/em><\/li>\n<\/ul>\n\n
Une transcendance d\u00e9membr\u00e9e ? De la S\u00e9miophysique \u00e0 la Divine Com\u00e9die <\/em><\/li>\n<\/ul>\nArt(s) and (some) Thoughts<\/strong>
Art(s) et (quelques) r\u00e9flexions<\/h4>\n\n
Pendule Acoustique<\/em><\/li>\n<\/ul>\n\n
Comment la r\u00e9alit\u00e9 virtuelle incarn\u00e9e et la danse peuvent augmenter l\u2019exp\u00e9rience corporelle<\/em><\/li>\n<\/ul>\n\n
Human society evolution: Driving actions<\/em><\/li>\n<\/ul>\nDossier
<\/strong>Complexit\u00e9 et esth\u00e9tique de Marcel Proust<\/h4>\n\n
Pierres m\u00e9di\u00e9vales et la perception des couleurs : Proust et Ruskin<\/em><\/li>\n<\/ul>\n\n
Le jardin retrouv\u00e9, voyage botanique du c\u00f4t\u00e9 de chez Proust<\/em><\/li>\n
Proust et ses lecteurs fanatiques<\/em><\/li>\n
The Complications of Divergent Series: Deleuze on Proust<\/em><\/li>\n<\/ul>\n\n
Proust confin\u00e9<\/em><\/li>\n<\/ul>\n\n
\u00c0 la recherche d\u2019une esth\u00e9tique<\/em><\/li>\n<\/ul>\nScientific Perspectives, Humanities and Research
<\/strong>Perspectives scientifiques, sciences humaines et recherche<\/h4>\n\n
L\u2019hypoth\u00e8se \u00ab Homo Canis \u00bb : co-\u00e9volution et parall\u00e9lisme<\/em><\/li>\n<\/ul>\n\n
Les virus sont-ils dans l\u2019air ?
<\/em><\/li>\n<\/ul>\n\n
Penser la r\u00e9silience. Un regard thermodynamique 2 : de la r\u00e9silience des organismes \u00e0 celle des soci\u00e9t\u00e9s<\/em><\/li>\n<\/ul>\n\n
Hikari, la partenaire id\u00e9ale<\/em><\/li>\n<\/ul>\n\n
La psychologie du non-\u00e9quilibre<\/em><\/li>\n<\/ul>\n\n
Une transcendance d\u00e9membr\u00e9e ? De la S\u00e9miophysique \u00e0 la Divine Com\u00e9die II<\/em><\/li>\n<\/ul>\n\n
Art (virtuel) comme syst\u00e8me<\/em><\/li>\n<\/ul>\nArt(s) and (some) Thoughts<\/strong>
Art(s) et (quelques) r\u00e9flexions<\/h4>\n\n
Intrusiveness, Annoyance and Sound Design<\/em>
<\/strong><\/li>\n<\/ul>\n\n
Corporalit\u00e9, corpor\u00e9it\u00e9 et <\/em>embodiment en modification au contact des technologies<\/em><\/li>\n<\/ul>\n\n
Fata Morgana \u2013\u2028 \u0152uvre mixte pour l\u2019ensemble D\u00e9dalus, de l\u2019inou\u00ef issu du vivant, transpos\u00e9 \u00e0 l\u2019instrument<\/em><\/li>\n<\/ul>\n\n
Sonopo\u00e9tiques \u2013 du texte au son et vice versa.
<\/em>Tentative de typologie(s) de po\u00e9sie(s) sonore(s)<\/em><\/li>\n<\/ul>\n\n
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