With the sculpture\/installation August 30, 1991, Tokyo<\/em>, the visual artist and choreographer Pierre Larauza offers a life-size reconstruction of this prodigious movement while inviting the public to measure themselves by jumping in a real sandbox…<\/span><\/p>\n A fun project at the crossroads of art, sport and documentary.<\/span><\/p>\n [\/et_pb_text][et_pb_image src=”http:\/\/pepinieres.eu\/wp-content\/uploads\/2019\/09\/Larauza_Nuit-Blanche_Simulation-nuit_collage_sd-Credits_Pierre_Larauza-Malik_Benkahla-Pepinieres_Europeenes_de_Creation-Transcultures-2019.jpg” _builder_version=”3.23.2″][\/et_pb_image][et_pb_video src=”https:\/\/www.youtube.com\/watch?v=oqrDAQKZTx8″ _builder_version=”3.23.2″][\/et_pb_video][et_pb_text module_class=”post-txt” _builder_version=”3.23.2″ border_style=”solid”]<\/p>\n Visual artist, choreographer, filmmaker and researcher working on individual and collective projects in the areas of dance, sculpture\/installation and film.<\/p>\n Pierre Larauza<\/a> is the artistic director and co-founder of the Belgian-based contemporary dance company t.r.a.n.s.i.t.s.c.a.p.e<\/a> with the dancer and choreographer Emmanuelle Vincent. Since 2003, they have explored the movement through contemporary hybrid forms, crossing disciplines in a multicultural approach. Their performances and films have been performed or exhibited worldwide in more than 26 countries.<\/p>\n Currently Php student at Universit\u00e9 Libre de Bruxelles and Paris 1, his areas of study are \u201cArtistic practice of historical reenactment\u201d, \u201cChoreographic immersion in museums\u201d and what he calls \u201cDocumentary sculpture\u201d: his main research where he develops in sculpture the reenactments of historical body movements (sport movement or human interest stories).<\/p>\n Larauza\u2019s first publication is currently being published: an article dedicated to the analysis the contemporary museum mutation through four choreographic variations experimented at the H\u00f4-chi-minh-city Museum of Fine Arts in Vietnam. A second article in progress is about the syncretic dimension that Cindy Sherman’s Untitled Films Stills (1977-1980) maintains on several levels with cinema.<\/p>\n Beside his creations and theoretical researches, Larauza is also co-founder of M\u00e1y xay sinh t\u1ed1, an interdisciplinary and transcultural laboratory based in Vietnam founded in 2016 with the artists Emmanuelle Vincent and Thy Nguyen Truong Minh in association with the University of Fine Arts in H\u00f4 Chi Minh City and more recently the art school ERG.<\/p>\n Researcher, sculptor, set designer, choreographer, filmmaker or even performer, Larauza\u2019s roles intertwine and the concept of specialization gradually fades away to nourish his interest for in(ter)disciplinary approach. Hybridity imposes itself naturally in Larauza\u2019s practice and theoretical research.<\/p>\n <\/p>\n [\/et_pb_text][et_pb_text admin_label=”Texte Info Prod” module_class=”post-txt post-txt-info” _builder_version=”3.23.2″ border_style=”solid” saved_tabs=”all”]<\/p>\n Infos<\/strong><\/p>\n Production<\/strong><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" On August 30, 1991, in Tokyo, Mike Powell achieves with 8.95m the longest long jump in history, still unchallenged to date. With the sculpture\/installation August 30, 1991, Tokyo, the visual artist and choreographer Pierre Larauza offers a life-size reconstruction of this prodigious movement while inviting the public to measure themselves by jumping in a real […]<\/p>\n","protected":false},"author":1,"featured_media":15392,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[31,129,105,111,2,116,145],"tags":[],"class_list":["post-15404","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-all-news-en","category-2019-en","category-exhibitions-en","category-france-en","category-news-en","category-production-en","category-visual-arts-en"],"_links":{"self":[{"href":"http:\/\/pepinieres.eu\/en\/wp-json\/wp\/v2\/posts\/15404","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/pepinieres.eu\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/pepinieres.eu\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/pepinieres.eu\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/pepinieres.eu\/en\/wp-json\/wp\/v2\/comments?post=15404"}],"version-history":[{"count":3,"href":"http:\/\/pepinieres.eu\/en\/wp-json\/wp\/v2\/posts\/15404\/revisions"}],"predecessor-version":[{"id":15423,"href":"http:\/\/pepinieres.eu\/en\/wp-json\/wp\/v2\/posts\/15404\/revisions\/15423"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/pepinieres.eu\/en\/wp-json\/wp\/v2\/media\/15392"}],"wp:attachment":[{"href":"http:\/\/pepinieres.eu\/en\/wp-json\/wp\/v2\/media?parent=15404"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/pepinieres.eu\/en\/wp-json\/wp\/v2\/categories?post=15404"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/pepinieres.eu\/en\/wp-json\/wp\/v2\/tags?post=15404"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"\"](\"http:\/\/pepinieres.eu\/wp-content\/uploads\/2019\/09\/Pierre_Larauza-Credits_Pierre_Larauza-portait-transitscapte-Ocean_Financial_Center-Simgapore-2017-300x256.jpg\"){kind=spacer}
Pierre Larauza<\/strong><\/p>\n\n
\n